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LESSON NOTES
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Learn to simplify complex subjects using enveloping and the block-in. These straight-line techniques build a solid foundation for your drawings.
COMMENTS
The first two are from observing "live" objects (is there a term I should use when describing objects from life?). Anyway...I used my own shell. It took many attempts at adjusting the shape, angles and line lengths when drawing the shell. It took fewer tries for the dolphin (I erased most of what I originally drew for the dolphin), thankfully. Enveloping an object is definitely more challenging than a ref. photo; I had to keep my eyeline in same place bc when I shifted my head or body, the shape and shadows on the object changed. The envelope was helpful because it reminded me that I need to keep the block in within the lines; when I was drawing the block-in for the dolphin, I had wanted to lengthen portions of it in at least 2 places so this helped me to maintain more accurate proportions. The envelope for elephant was done quickly (once with minor tweaking). Again, the envelope reminded me to restrict the size of its head (I wanted to make it so much bigger). How much detail should be included for the block in?
I think you are doing an amazing job! The envelope technique is working well for you. I love how your thin to thick lines flow in your shell drawing, and your shape design in your dolphin and elephant as well.
Very good lesson ( orig. taught by the 19th Century French artist, Charles Bargue). Thank you for teaching this important concept.
