Thanks Liandro!

Great news, thank you Martha!

Hi Grace, amazing work! Perspective is great. Making sure lines at the back of the forms are a bit lighter can help them to read a bit better. For the animals I’m really having to get nit picky to find things, but I feel like the form of the gorillas head and face could be better defined. For your horse, the front right foreleg is a bit hard to read, and the rear hooves would be flat on the ground to support this gesture. (Horses are heavy!) Your pig is the most adorable thing ever! Great stuff!

If you export as a jpeg, at about 80% and 800 pixels wide, should be much smaller with enough clarity to be uploaded here. Hope that helps!

These look great! I especially like persimmon #3. The shape on the shadow side really sells it. For your baes, have they already been flattened to a single layer? If your not sure of the bg could you try a few variations just for fun to see what you like more?

These look great! Since you asked for help I’d suggest proko’s video on line quality/confidence. But when I look at your gestures I can recognize which image they are from, so good job!

Great effort taking that step into digital! One of the nicest features of digital is how easy it is to flip the canvas. This can help you spot challenges like proportion. This can really help you get a-head of the game. digital also makes it easier to correct some mistakes by using tools like liquify, to adjust the size of various parts without too much effort. aside from proportions double check your angles. They’re mostly prey good, but his right leg is too low and his groin is mia. great stuff, keep it going!

Hi Crocodyle, I’m not an expert by any stretch, but here’s my 2c for what it’s worth. For standing poses that are pretty symmetrical, you have license to exaggerate to help solve the problem. I took the first standing pose in your request as an example. She is looking off to the right so her weight is on the right, even though it doesn’t look much like it in the legs in the reference. So you can tilt the hips up a bit on the right side, which works with her left arm already being raised. Then you can treat the right leg as being further back than the left, opening up some opportunities to treat them differently. So I drew the right leg straighter with more straights and angles to show a bit of tension. Then you can use more curves on the relaxed leg. Elsewhere it’s worth trying mixing up curves and straights too. like I said, I’m no expert but I hope you find this helpful.