Spiral Folds
Spiral Folds
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Spiral Folds
courseDrapery FundamentalsFull course (16 lessons)
$125
comments 2
Sergio Cobo
Hi Michael! Here are my notes on the Half Lock and Spiral folds. Reducing almost 70% of the information in the sleeve and editing it to improve clarity and guide the viewer's eye is a really smart approach. It works really well for everyday clothing, and I have a couple of questions. Have you ever considered including some tips on how to represent different fabric materials in the course? If not, would it be possible to cover that in one of the critique videos? Best regards.
LESSON NOTES

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I will show you how to draw spiral folds on areas of the body that twist. Twisting fabric is tough to draw, but we can make it easier by connecting folds to specific anatomical tension points. We will focus on the forearms and torso to see how rotation affects clothing.

You will learn a simple three-line method to design these folds. I use a main S-curve to connect tension points, then add two supporting lines to build volume and asymmetry. This keeps your design clean and prevents overworking the drawing. We will also look at how spiral folds interact with half-lock, diaper, and pipe folds. You will get a clear system for placing folds exactly where they belong based on gravity and the underlying form.

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COMMENTS
Steven Michael Hampton
Twisting limbs create the most confusing fabric folds. Simplify spiral folds on areas like the forearm by using a basic S-curve to connect tension points. This method helps you track the volume of the fabric as it wraps around the anatomy.
Bohn Myint San
Here are my notes for the week! I used to struggle with half-lock and spiral folds because of all the complicated wrinkles, but I've learned to simplify the complex shapes into just a few key lines. It makes the folds so much easier and more believable. I’m really enjoying the lessons and feel the progress over these past three weeks.
Sergio Cobo
Hi Michael! Here are my notes on the Half Lock and Spiral folds. Reducing almost 70% of the information in the sleeve and editing it to improve clarity and guide the viewer's eye is a really smart approach. It works really well for everyday clothing, and I have a couple of questions. Have you ever considered including some tips on how to represent different fabric materials in the course? If not, would it be possible to cover that in one of the critique videos? Best regards.
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