$125
assignments 40 submissions
This time I went for digital ! The fact that we have few folds at disposal makes it more amusing to me. I used to get lost when looking at clothed people, but now I feel more comfortable understanding / designing the whole. I have less to worry about, just sticking to the known shapes...^^'
DOWNLOADS
Assignment Images.zip
4 MB
project-drawing-the-next-two-folds.mp4
50 MB
project-drawing-the-next-two-folds-transcript-english.txt
1 kB
project-drawing-the-next-two-folds-transcript-spanish.txt
1 kB
project-drawing-the-next-two-folds-captions-english.srt
1 kB
project-drawing-the-next-two-folds-captions-spanish.srt
1 kB
ASSIGNMENTS
Draw 5–6 full figures using half-lock and spiral folds.
- Start with your map
- Build the mannequin understructure
- Add the 2 new folds first (half-lock and spiral), then complete the garment with pipe and diaper folds
Tips
- Stick to the four folds you know: pipe, diaper, half-lock, spiral. Edit out anything that isn't one of these
- It’s fine to do a couple of drawings isolating just one arm or leg to get a feel for the spiral or half lock. But keep the majority as full figures so you hold onto the shape, silhouette, and map as part of your process.
Deadline - submit by July 28, 2026 for a chance to be in the critique video!
I'm really enjoying these studies. Being able to edit them using the ideas you've been teaching in the videos is really helping me simplify and understand drapery much better.
Hmm... While I'm definitely getting a better sense of how to decode the chaos of fabric (and seeing the value in making deliberate simplifying design choices to communicate the underlying forms) I can't help but feel like these are missing something. Maybe I just need more practice, but another pair of eyes might catch something I'm not seeing. Any criticism is always welcome!
Painting this stuff surely takes a lot of time. I hope i was able to capture the form of the folds
Submissions for the assignment! These are fun
I want to learn to shade my drapery in the future so im trying to understand the contours and plane changes but boy oh boy it's so difficult for some reason. Resisting the temptation to draw every single fold has also been challenging, they sing to me like a siren's song but if I listen my drawing ends up a veritable mess.
-here’s my assignment. It was hard to keep from straying from the folds we were supposed to focus on. But I’m finding it easier to draw folds with line work and not getting too distracted by the shadows. ,
I cant describe how much i am enjoying the process.
Halflocks are pretty challenging tbh.
I like the half-life study on the arm. Nice flow! However, I'm not sure where the elbow is supposed to be?
Here is my assignment. I found difficult "to see" the folds forms and consequently to apply them to my work; I think I can't grasp a mental schema to use to identify the folds shapes.
Stiff parts of a garment that flare out like a tent or a baloon (such as starched sleeves) are really confusing to me. I'm not sure how to identify the folds in those areas. Do stiff forms just generate their own tension points (in the spots where there's no seams, pinches etc.), and for example the diaper fold appears between two protruding forms?
Now I see - too late, as always - that in the third picture I somehow lost the nice S curvature that show the spiral folds around her waist (I mean, I drew two lines in the right place, but they look rather stiff). I'll have to live with it; this pencil is practically impossible to erase.
Referring to my comment above, I've marked the fold I don't understand in the attached picture. It looks a bit like an upside-down diaper fold.
While doing the assignments, I found shading a little bit helpful for illustrating certain types of folds and plane changes, though I'm not very good at it yet. But I believe that as I keep learning, I’ll pick up better tips and tricks on shading drapery.
Couldn't keep my fingers away. A good opportunity for me to practice rendering. How did I do?
Tried to render it out a bit, just for fun.
But its feels off, somehow. Boring. The shading feels stiff to me, if that makes sense.
Any tips how to improve it?
Help!! I am having a hard time making my folds “finished’. I start with a gesture for the fold and then have a really hard time finishing the garment realistically. I might like how it looks in drawing but once I get to painting all those unfinished gestural folds really hurt me and just run the project astray.
•
4d
I would recommend you draw these lessons in layers. Layer 1: mannequin, Layer 2: find the basic folds being presented in the lesson group. I also think a mini map would help you draw out the outline of the reference and figure out what to include in your homework.
I wouldn't worry about making detailed, accurate pictures of the reference at this time; we're only on 4/7* folds! I think there are some really nice half-lock folds in your drawings though! You're showing the sleeves being compressed in the right places.
* (6 folds and 1 inert fold we're learning about)
busy weekend coming up but managed to do a couple before the weekend. Will hopefully find some time Tuesday for more to make it in time for the critique video. Definitely struggling with how to best represent the half-lock folds. Might have to rewatch that video once more or look for some extra examples.
