Painting a Comic Cover
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courseMarvel's The Art of StorytellingFull course (130 lessons)
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comments 7
Judah Rojas
“Titanium White, Cadmium yellow…” -Bob Ross, Erik Gist
LESSON NOTES

E.M. Gist shares his wet into wet oil process. He reveals why mastering foundational drawing is the only way to control your medium and stop your colors from turning into mush.

Learn more about making comics from Sanford Greene and other Marvel artists in Marvel’s The Art of Storytelling course

COMMENTS
Marvel
Erik works in oils on hardboard, starting with thin washes and building up layers. The best way to learn is to paint! Just get in there and do it.
This discussion board is available for premium students.
@edub66
•
2yr
I thought Erik Gist worked with gouache or acrylics? How long does it take the oil paint to dry considering deadlines? Gist must use a quick dry medium?
Patrick Bosworth
Erik uses Galkyd Lite oil paint medium, which helps speed up drying time. His medium is also mixed with a little of Gamsol which helps keep the paint thin, and also speeds the drying process. He mentions one of the hardest parts of the process is learning the drying/setup times for the paint and when to apply the next layers, but he has his process down to about a week for a cover in oil.
Ely
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2yr
So much great advice and reminders on how much patience you need to have. Patience is my big problem so I need all the reminders I can get.
Sean Ramsey
Yeah I definitely get more antsy when working on longer pieces, but then you look at the kind of stuff that Erik's doing at it shows how his approach gets such good results.
Judah Rojas
“Titanium White, Cadmium yellow…” -Bob Ross, Erik Gist
Patrick Bosworth
"We don't make mistakes, just happy little orange rock men..." :D
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