How to Draw Obliques – Form
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How to Draw Obliques – Form
courseAnatomy of the Human BodySelected 3 parts (371 lessons)
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assignments 21 submissions
Luke Ng
More assignment studies, trying to maintain the gesture of the poses while keeping the anatomy accurate. All feedback is appreciated
LESSON NOTES

The external oblique is divided into two very distinct portions. The Thoracic Portion and the Flank Portion.

The Thoracic Portion

The Thoracic Portion is the top half of the oblique. The attachments on the ribs create a stair-stepping border that's lower toward the back. This border interdigitates with the serratus anterior muscle and looks like interlocking fingers. The digits of the serratus are more horizontal than the external oblique.

The digits of the thoracic portion are commonly confused with the ribs. You can see the forms of one or the other depending on the pose and physique of the model.

When the muscle is stretched, and when inhaling, individual ribs can easily be seen through the oblique. When the oblique is flexed, its long, tube-like digits overpower and hide the ribs.

Still not sure what you’re looking at?


The ribs are more horizontal and curve upward where the costal cartilage begins, whereas external oblique bundles are straight and parallel with each other. They travel downward at a 45 degree angle.

The Flank Portion

The lower half of the oblique is called the flank portion. The angle of the fibers is more vertical toward the back, directly connecting the rib cage to the pelvis.

This muscle mass creates an unpopular duo with fat. Yeah, I’m talking about “muffin tops”. Or as I prefer to call them, the “love handles”.

The basic form resembles a tire or inner tube that you wear around your waist. A tube that stretches and compresses between the rib cage and pelvis. Even on thin individuals and flexing muscle men, the flank portion usually has a smooth, convex form. The local fat smooths over any striations. But of course, there are exceptions.

oblique love handles drawing

Sometimes you'll see a cylindrical continuation of the form along the bottom of the rectus abdominis. This is actually the form of the Internal oblique and transversus abdominis, which we'll learn about in the premium section.

oblique flank and ilac crest

There’s an important difference between the shape of the skeleton and the shape of the flank. The oblique inserts onto the external edge of the iliac crest, which makes the border of the oblique lower than the border of the iliac crest. This new, lower border has a soft S curve, swooping down under the iliac crest, and then back up wrapping over and to the inside of the ASIS. The ASIS proves to be a trustworthy landmark once again, providing a useful reference for constructing the torso.

So, remember this. You’ll see either ribs or muscle striations in the thoracic region. The thickest muscle striations are in the middle. And you will almost always see a bulge at the flanks.

Premium Version

Check out the extended premium video to learn about oblique physique variations, the internal oblique, and more. All the anatomy premium lessons have 3d models and ebooks.

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ASSIGNMENTS

Assignments

To get good at anatomy, you have to practice. You can get feedback on your drawings from the Discussions. So, here’s your assignment for this lesson.

Part 1 is to do quicksketch drawings from model photos. Try to find a variety of bending, twisting, flexed, or relaxed poses where the obliques are clearly visible. You can get a free model sampler pack by subscribing to the Proko Newsletter. I also have a lot of model photos available at here.

Part 2 is drawing obliques over Skelly. Using the Skelly app, you can pose Skelly however you want. Save the pose to your pose library and export the image. I’ll post some assignment examples in the next video.

Newest
@robot0906
1yr
Some drawings based of the assignment while using the references from proko and other ones. The reason why they are no serratus muscles is be a because was focusing on the obliques.
Waner Hoogleiter
@nemuiyo
2yr
@cocoahere
2yr
I don't have much time to practice normally, but how is this?
@cocoahere
2yr
Alejandro
2yr
Ezra
2yr
Obliques pt 2 - made more sense as i went along
Manuel Rioja
Mi assigments for this leson.
Gian Amir Calibuso
Shannon Stone
Oblique sketches from model poses
Shannon Stone
Photoshop obliques on skelly poses.
Samuel Parker
Model drawings plus the robobean and anatobean drawings
Samuel Parker
and the skelley tracings
Tsotne Shonia
And here's my submission for these obliques assignments I colored the obliques in the first part, and omitted shading in the second part
Mike Karcz
3yr
Would love some critiques/feedback! Thank you!
Steve Lenze
Hey Mike, I think you are trying to draw details too early, as a result your drawings are lacking structure and a 3D quality. I did a quick sketch over your first figure to show you how we build the body out of 3D shapes first, then add our anatomy and details. Study what I did and try it on your next drawing. I hope this helps :)
@jahne
3yr
I think it's great, I would just recommand more smoothness and suppleness
Margaret Langston
Wow, maybe I should've watched this video before I did assignment 2. Maybe it doesn't matter. I don't know.
Sandra Süsser
Obliques lesson notes and studies (this time focusing on the serratus intersection)
@angiespice
@kugeltisch
That was nice :)
Kimi
3yr
Jesper Axelsson
Hi @Kimi, really nice studies! - In the top row drawings, did you start by first sketching in the major form of the obliques, before adding the digits? I feel like it got a little lost in the detail. When adding details, such as digits, try to use them to clarify to major forms. - You've drawn a bump at the outside bottom corner of the pecs that I don't recognize. Is it the lower digit of the abdominal portion? If so, I think what makes it look strange is that it is overlapping the part above it. I think it should be overlapped by it. Hope this helps :) Keep up the good work!
Camellito
3yr
Here are my assignments
Account deleted
All critiques welcomed! >:0
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