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About instructor
Award winning fine artist represented by @legacygalleryart in Scottsdale AZ
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painting-with-color-part-three.mp4
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ASSIGNMENTS![]()
![Angel Kritikos]()
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![@jesssmithartist]()
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![Morgan Weistling]()
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![Peter Habjan]()
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![Morgan Weistling]()
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![Michèle Girard]()
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![Jeff V]()
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![Morgan Weistling]()
This is part three of a long demonstration breaking down adding color and subtle shapes.
The assignment will be to follow along and post your work here.
Reference in the "Grid drawing" lesson of this course.
So far I' ve reached it to this level. I still want to soften edges, fix the color in some areas and lighten the background a bit. Also the clothing needs a bit more attention.
Critique freely.
•
29d
You need to now think about the edges. Start with the hair line. Get those edges lost and found
More blending and refining of the face and additional shirt detail. One more pass to go on the background.
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1yr
this is real good. the area to concentrate on is the lips. everyone seems to have trouble with them. They can't look cut out or pasted on. Soften those lips
That's where I am right now. I have to do it in stages over many days. My problem is that part of it is dry, and part of it is sticky. Some parts look dull, while others are shiny. I have no experience with oils. Is that normal and if not, what can I do about it? Thanks for your guidance.
HI Morgan,
I'm not even close to this stage yet, but I wanted to watch the first painting all the way through so I would have some idea where we were headed. Now I have a question. It seems you painted this guy in one session. What if we need to spread out sessions out over the course of several days and the paint begins to dry? Should we aim to set aside a good chunk of time for this, or can spread it out over a few days?
Thanks,
Jeff
•
1yr
I know you will have to spread it over days. You can always use your premixed paint to help in the edge softening if you need to.
