How to Shade by Separating Light from Shadow
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How to Shade by Separating Light from Shadow
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LESSON NOTES

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How to Create Powerful Shading by Dividing Light and Shadow

Powerful shading requires a clear division between light and shadow. Many students struggle to organize their lights and darks, resulting in drawings that look chaotic or flat. The key to creating powerful and dramatic shading is to learn one simple strategy: keeping your lights and darks separate.

This approach will help you create drawings with a full range of values, from rich darks to bright lights, all properly organized to create a stunning illusion of form.

The Key to Powerful Shading

When you light a subject with a single light source, photons from that source illuminate parts of the object. Any area the light cannot reach is left in shadow. This creates two distinct categories in your drawing:

  1. Lit Areas: The parts of your subject hit directly by the light source.
  2. Shadow Areas: The parts of your subject blocked from the light source.

The fundamental rule for powerful shading is to keep these two areas separate. All of your brightest values should only be found in the lit areas, and all of your darkest values should only be found in the shadows. No part of the shadow should ever be as bright as the darkest part of the lit area.

You will encounter two types of shadows:

  • Form shadows are the shadows on the object itself.
  • Cast shadows occur when the object blocks light from hitting an adjacent surface.

Finding the Dividing Line

The boundary where the form turns away from the light and enters shadow is called the line of termination. You might also hear it called the "terminator" or "turning edge." This line is the key to separating your light and shadow areas.

The character of this line changes depending on the form:

  • On a rounded object, like a sphere, the line of termination is a soft, diffused edge. You should draw it with a soft line, not a hard one.
  • The edge of a cast shadow is often harder and more defined, especially right underneath the object casting it.

The First Step in Shading: A Two-Value Drawing

The first step in any shading process is to establish this clear division of light and shadow. You can do this by creating a simple two-value drawing.

  1. Start with your line drawing. Establish the basic shapes and contour edges of your subject.
  2. Draw the line of termination. Using a light, soft-edged line, map out where the form turns away from the light. When you're starting, simplify this line to capture the most important information without getting lost in every small detail.
  3. Map the cast shadow. Draw the shape of the cast shadow on the adjacent surface.
  4. Fill in the shadows. Using the side of your pencil, apply a light, even wash of value to all shadow areas, including both the form shadow and the cast shadow. Aim for a light-middle gray, like a number three on a five-step value scale.

This simple process creates a clear map of your lights and shadows. Even with only two values—the white of the paper for the light and a single gray for the shadow—you will begin to see the illusion of three-dimensional form.

A Simple Practice Exercise

This two-value drawing is not just a training exercise; it is the foundational first step for any complex, finished drawing. By practicing it, you will train your mind to see the clear division of light and shadow.

Start with simple objects like a cube, an egg, or a pear. Once you are comfortable, move on to more complex subjects like a human foot. In each drawing, focus only on separating the light from the shadow. The more you do these drawings, the more natural this process will become, and the more dramatic your shading will be.

Your Assignment

To put this into practice, commit to doing a minimum of three two-value drawings.

  1. Select a subject and light it with a single, strong light source.
  2. Draw the basic shapes and contours of the subject.
  3. Identify and draw the line of termination and the shape of the cast shadow.
  4. Darken all the shadow areas to a single middle value.

Remember, these are not finished drawings. They are exercises designed to train your brain to keep your lights and shadows separate. Mastering this skill is the most important step toward creating powerful, vibrant, and lifelike drawings.

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ASSIGNMENTS

Create three drawings using a single light source to practice dividing light from shadow and organizing your values clearly.

  • Select a simple subject — a sphere, cube, or pear works best — and light it with one lamp from above and to one side.
  • Start with a clean line drawing that includes the subject’s contour and its cast shadow.
  • Identify and lightly mark the line of termination — the soft-edged boundary where light ends and shadow begins.
  • Fill the entire shadow area (both form and cast shadows) with a flat, even tone of about a number 3 value on a five-step scale. Keep the light side untouched.
  • Make sure no part of the shadow is lighter than any part of the light side — this clear separation gives your drawing power and structure.
  • Repeat the exercise three times, changing subjects or light direction each time to observe how the line of termination and shadow shapes shift.
  • Focus on maintaining this clear two-value structure. Once mastered, it will serve as the foundation for more advanced shading and figure drawing.
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