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LESSON NOTES
Going through all your hand assignments, I noticed most of them have one main issue. They lack structure. Constructing the hand from basic forms and following the primary - secondary - tertiary hierarchy resolves many other issues. It helps to draw the hand accurately from imagination, attach the fingers correctly to the palm, keep things in perspective, and even helps to shade. I’ll also show you how a focus on structure doesn’t mean you have to sacrifice gesture.
For the entire critique, check out the Premium Anatomy Course!
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Hands-Critique-Part-1-PREMIUM-transcript.txt
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Hands-Critique-Part-1-PREMIUM-1080p.mp4
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ASSIGNMENTS
I find it difficult to determine the thickness of the palm. I often turn around and adjust it when I really draw the outline after making a draft (after the box steps). Do you have any good suggestions? In addition, there is no clue to draw realistic skin wrinkles. Although I know that the relationship between skin wrinkles and muscle fibers is 2 (vertical), I actually don't know how to operate it when painting, such as spacing, volume, etc., which will become ugly after combining.
There are only hard shadows, because although I am very proficient in drawing lines with electronic equipment, I have not seriously studied how to draw light, shadow and transitions.
