added comment in7 Ways Simple Shapes Can Improve Your Drawings
Looking forward to this!
Practicing to sketch hands with “The Thing” (in German it is “Das eiskalte Händchen”)
Gonna remember this for when I start to study hands, the thing is so expressive, it's a great way to study hands!
I may have overcomplicated things..
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My attempt, some kind of dragon crocodile perhaps?
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Finding it difficult to find the time/energy for the assignments this week. Luckily drawing is fun, so I hope I will find the time to do each picture.
What, no FORCE? This is our staple line so learn it and the power that lies in the line! Keep driving with that line.
Any tips on how to practice the tapered line with force? Looking to take your course in the future and would love to be prepared for it when the time comes.
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Hi all! I am going through this course using a tablet and CSP (this is my medium of choice for drawing). I have a problem with tempered strokes, and more precisely, to make my lines have a soft beginning, a thicker middle and a soft end again. I'm wondering if I'm the only one having a problem with mapping this on a tablet or is this something normal and I should rather focus on loose sketching? It bothers me a bit.
I've heard it's very hard on small tablets, but it's pretty hard on paper too. I guess we have to practice our dexterity before it becomes natural.
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I love doing stuff like this, the sketchy feeling brings a lot of character to the drawing. I've been meaning to write this for a bit, but never really know how to put it. I don't mean to be rude by what I'm about to write and obviously, no one owes me anything but I still feel like I need to put this forward. I put a lot of time into art. I got into it for the first time in my life during the pandemic and I was set. I want to create comics and illustrations, they've been a big part of my life. I am in the very fortunate position of being able to afford taking some time off, won't bore you with the details. The crux is that after a few years I came back to my parents, and with their blessing I've taken the last 2 years to pursue art. Due to local policy circumstances I can't enroll into an art program, I am however enrolled into loose art courses, this semester: naked model drawing 2h, Scribbling 3h, 3d software 2h and general art 2h per week. My time in them while packed is very short and the teachers don't go too into depth. Talking to them hasn't really helped much. The rest of my time I dedicate to becoming better at art. After one year, I won't say I wasted my time, my general knowledge of how things should look, line quality and 3d notions have improved significantly, but I'm nowhere near where I though I'd be. I still struggle with quite a few things I thought would I'd be better by now, in particular, I can't seem to draw any details on anything. And lately, it's becoming harder and harder to just do anything art related. I do my drills and that's that I can't muster myself. I actually drew this horse the day before yesterday and a friend of mine that used to do art told me I've been "doing things like these for a while" and "I'm in my comfort zone". I was quite proud of my work and that pretty much deflated me. As someone with so much free time I'd like to fill my day with more meaningful practice, I've been going on a bit of a round trip of invest heavily in figure and gesture > I don't have the fundamentals down > do a lot of geometry > do 1-2-3 point perspective> practice strokes> feeling confident go back to anatomy> do some copies> do some figure> still doesn't look good> go back to fundamentals> ad nauseum at this point. I feel a bit lost to put it mildly. Apart from this course I dip into the figure drawing and I've also started poking at Steven Zapata's shading course. I'm also following Marc Brunet's 1 year plan he made on his Youtube Channel. I've no doubt that this year I'll reach some sort of expertise in the things that I want to do just by virtue of following these, but I'm treating this as my job and some days I just can't do more than the absolute bare minimum. Today was one of those days, and last week I had a few as well. I feel somewhat aimless. Lastly, this is the last year I'll be as free as I am at the moment. Next year I need to get back to work and my free time will obviously dip. I really want to pour it as much as possible in the time that I have at the moment. I'm not expecting to become a professional just like this, that would be spitting on other's hard work. But I'd like to be in a position where I can lift off from the ground confidently. If anyone can help me in maybe getting things in better order? I feel like I'm running in place. I know I am making progress, but for the free time that I have I feel like I'm wasting most of it. And I'll never have a better opportunity to really learn Art as well as now. I'm not asking the course to be sped up, far be it from me to demand anything. But I really don't know what to ask, maybe some insight? I'll probably be told that I'm burning out on Art but honestly, I feel closer to burning out on always doing the same thing, never really doing what I'd like to be doing, and if I ever dare do what I want it just looks horrible, forcing me to go back to the things I'm doing now.
It sounds like you're doing a lot of practical studying, maybe take a day or two and simply look at some of the masters that inspire you. Don't even worry about drawing, just look at great works and try to break them down into their components. That often helps me refill my creativity.
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Thanks for the feedback @Stan Prokopenko , I will try not to get caught up in trying to be overly accurate and instead try to design better shapes/curves, but seriously, no more shoelaces.
added comment inStructure Basics
I can see so many things in this video that I recognize from artists I love but never knew where to even begin to emulate. Going to practice this a lot before going to the next video. Any suggested excercises?
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Day 14 already! Oh my dear!
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CAMEL! I love this animal.