Serena Marenco
Italy
Born in Italy, graduate of the Jona Ottolenghi State Institute of Art, formerly a letterer and manga graphic adaptor for the Dynit publishing house.
Courses
Albums
John Carter
inTV Doodles
2w
Asked for help
Here are a few more tv doodles- this time it's Vincent Price from the movie "The House on Haunted Hill." I tried to slow myself down and make more careful measurement observations, but they turned out a bit stiff as a result.
The doodle on the left was an attempt at a caricature of Mr. Price. Hmmm- more study is needed :-)
Serena Marenco
1w
That's a nice idea for an exercise, also you did it very well :)
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Asked for help
Here are some snippets of my structure practice, any feedback is appreciated.
Hi stub!
When you draw solid shapes (I'm referring to the cup for example, but it's a general guideline), when sketching, draw the part you can't see, in a light way. It will be easier to verify the correctness of the construction.
When drawing animals, don't use only curved figures, such as circles and cylinders. Curves are certainly good for measurements and geometric construction of shapes, but in some cases it would be more convenient to use boxes, such as for the shoulders and pelvis, so you have a better idea of the rotation of various parts of the body. Some animals, for example, such as cattle, can be recognized precisely by their square shape (if you draw a cow or a buffalo you will notice that they are very square).
Also the heads often, especially in horses and reptiles, are more wedges than cones.
Also never forget the gesture and to consider each body part as a piece of a whole, not separate forms. :)
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Asked for help
Here's my submission for the measuring assignment :)
I made a rough lay in first, checked it for errors and then made a cleaner lay in where I tried to correct the issues as well as I could. They focus a lot on clarity since I want to be able to use the corrected versions as the base for rendered drawings in the future.
The rough, first ones can be seen in the comparison pictures, but you may need to open the original to see the comparisons well.
Any and all criticism is encouraged.
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A little personal work (finally I had a couple of days off!), the portrait of the character I use in the test team of the role-playing game Warcall.
I tried to apply the directions from the Painting and Skintones Bundle (I actually like the result much better than those obtained in the past using other methods).
Obviously I need to practice more because it doesn't come naturally to me yet but I really think that from now on I will always apply this method, which allows to obtain a result much more similar to what I was used to with traditional media.
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Thank you for this class.
I had been studying other methods and you really helped me fill in some gaps!
You cleared up a lot of doubts I had, it was really very helpful to watch your videos. :)
What I recommend is to create a nice library where you can look for inspiration and elements you can use in your concepts.
If you want to make a profession out of it, you will be required to create characters and creatures of many different types, with particular cultural backgrounds, that tell something about themselves at a glance.
If you have the chance, visit costume or ethnographic museums, but also learn to observe how people dress in the street, what you can guess about a person by looking at how he/she dresses.
For things like this, Pinterest is very useful, where you can follow a lot of galleries dedicated to this theme (but also others about natural elements that you could put in a costume or a character, I don't know, a dress that reminds of a particular animal, or maybe an underground civilisation that learned to make fabrics from mushroom cultures - there is a kind of artificial skin made from mushrooms! The ideas are endless!)
You can also go to Art station and follow some professional cartoonists to see how they organise the presentation of their characters or how they develop their ideas.
In short, let yourself be inspired by everything that already exists, both in nature and in existing costumes, jewellery, various cultures, etc.).
Recently, for example, a client gave me a collection of files on ethnic jewellery that she had bought in the 1990s.
She was very nice, she found it when she was tidying up her bookcase and thought I might need it, so she sent it to me.
When I was a kid, I used to empty out the attics and cellars of people who wanted to get rid of old stuff, to collect picture books and encyclopaedias.
Fortunately, now with the Internet, everything is much easier and more convenient.
Also watch films and TV series with interesting costumes and make notes on what catches your eye and what you think would be a good solution to adopt.
I for example loved the costumes of the TV series The Musketeers: the TV series was not too much up my alley but the costumes (not historically accurate, very fantasy) were beautiful with some very interesting and original details.
Also get some video game art books with interesting designs (a very nice one is Orizon Zero Dawn, in my opinion).
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You worry too much Mariana and this only worsens your blockage.
When I really don't feel like doing anything, I do a gesture session for half an hour and see if I feel like doing something more serious.
Another thing that helps me is to go on pinterest and look at pictures, to see if I can find something that makes me want to draw.
Don't think about style, you don't necessarily have to have something to show off (and even that having to think about having to meet some standards only makes you more stuck).
Also, it doesn't really matter WHAT you draw.
Sometimes I'll just watch live videos of animals around the world.
A couple of weeks ago I got out of a block drawing bears swimming to catch salmon - I'd never drawn a bear in my life before, it hadn't even crossed my mind. But seeing the footage from under the water of these swimming bears made me want to sketch them.
At other times I might see someone in a particular outfit and want to draw them, just for me.
So, when you're stuck, instead of thinking obsessively about what to draw or how, you stop thinking about it and do something else. Look at pictures, watch TV, play a video game, read a book, go for a walk, flip through a magazine, look at clothing catalogues online.
It doesn't really matter what you do, just distract yourself and look for stimulation.
Eventually you will see something and think "I want to try to draw that" and then you start with a sketch, or more than one, without worrying too much about the look or style.
Maybe you'll feel like finishing it, maybe you won't, but that's fine.
It is not humanly possible to produce masterpieces constantly, 365 days a year.
Most of the things we draw are sketches that we would never want to show to anyone, and that's fine, they are notes for ourselves, to make something better in the future.
I'm now taking a course by Aaron Blaise on drawing clothed figures, just doing the exercises in the course makes me want to de-generate sometimes. (Sometimes I just want to sleep on the couch because it's too hot!)
So, don't think about it too much: you don't feel like drawing? It happens to everyone, stop trying and do something else until you feel like drawing something, without thinking about it too much. The more you obsess the worse it gets, so take a break and let your mind wander until its attention is drawn to something!sketch
Asked for help
Heres my attempt for this lessons assignment (drawing simple objects and applying structure to animals). Feedback appreciated!
2mo
Hi Kayla,
When drawing animals, take into account that their bodies are divided into the same segments as the human body.
All animals, including us (since we have evolved from the same ptimitive species over millennia) have a similar structure that differs only in proportion and posture.
Our ribcage is wider than that of a quadruped because they have their forelimbs and shoulders pointing downwards, unlike us.
So, when you draw the torso you won't have three segments, as you have often drawn, but three: shoulders, ribcage, pelvis.
I see that you have often drawn the torso as two circles or ovals, but the shoulders and pelvis look more like boxes. don't be confused by the fur, you have to try to imagine the skeleton and muscles otherwise you will always have pompoms instead of plausible shapes.
I would also advise you not to use a pen but a pencil, so you can make corrections if you have any doubts.
Even if you have a lot of experience, the pen is a tool that requires a lot of confidence.
Keep practising, you have an interesting trait. :)
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Oh man... Yeah, art along isn't really viable for most of us I think... I'm currently in school and doing some programming on the side, which helps reduce the cost of living and food, but once I'm done with that the situation could become a lot harder :(. I'm probably gonna have an art "job" but I do like making art for myself so there's my justification. Not chasing social media trend has me think more about what kind of things I want to create rather than following a specific trend. Although I would say if not for the trend I could not have know as much art people from the Internet. So I guess there's some upsides.
That's also the main problem of the internet trend that is they do not really promote individual viewpoint and variety. It's really hard to find different stuff in the algorithm. There are certainly some, but I believe a lot more are not discovered by people.
I'm not sure why people call those "sketches", and at the moment I would think a lot of them are quite accurate by calling sketches, because they really do not cost as much time for them or an artist in a similar fluency to do. Although for us it will take a lot more time simply because we are not as experienced. Some are a bit stretched... I think a lot of people in middle/high school now post art because they really have time to draw and don't need to worry about food etc so it's perfect for them to call a finished drawing "sketch" (especially for those ones that are more towards graphic design), because they don't care about the time cost. I'm mostly over it now because I don't need to get paid, but not every one is in the same position...
In Chinese online art community we have a different problem (or not really that different), that is we don't really have many visible original art. We mass produce production artists but no one is original. Alongside those manga girls and stuff, you can also see those beautifully drawn characters, scenes, story boards, mastery skills, but they almost all labelled "Practice". Like literally they don't even bother to make a name for them... After a while I find those pretty vapid. They don't care about their creation, just making a product :(
There are nice ones, but take time to find. I think we should use the internet for making better art but not for a show room that doesn't make any meaningful impact on one's life
2mo
I've always found Chinese artists extremely skilled, but it's true, unless they are made for a specific product everything looks very similar (the same happens with Korean designers at the moment, you often can't tell one from the other because they homologate to meet certain standards. I adapted some Manwa for the Italian market about fifteen years ago and there was much more variety).
Also yes, it is quite frustrating that the algorithms always show very similar art.
Instagram and Pinterest, until 3 years ago, were not like that, you could find landscape artists, avant-garde artists, sculptors, illustrators, some with very characteristic and interesting styles: they were two fantastic social networks to meet new artists and find inspiration (in the sense of wanting to produce something).
Now everything has been standardised and it is definitely very frustrating to navigate the various platforms.
Recently there is a new platform for mobile phones, Artfol, which is very nice but almost impossible to find anything other than fanart or children's illustration.
If there used to be some focus on variety, now everything is getting flattened and standardised. A real shame.
Fortunately Deviant Art has recovered from its ten-year hibernation and is now again a platform where you can find a bit of everything (Just stay away from groups where you can only find bad porn -_-; )
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That's globalisation for you. Competing with the cheapest labour from places where decent conditions and/or pay are a pipe-dream. What the internet has done is (along with making all 'voices' equal) provide a shiny veneer for it all so you don't have to stop and think, or care :/
To your last point, I agree and it can be hard to see your actual customers through the noise, and you don't want to convince yourself that the noise is your customer. If you find cheapskates around a lot, add something to your presence online that makes it clear you're producing quality, which comes with a price that represents that value. I think sellers get seduced by 'Instagram exposure' and feel the need to compete with the trash.
I have many, many grievances with online platforms, but sometimes it's worth stepping back to evaluate expectations and reset, rather than getting frustrated with a changed world.
2mo
The fact is that I'm 43 years old, I've been through the world of exhibitions and gallery owners, I've worked with publishers and I have an idea of the value of my work. What worries me are the young people who don't have any yardstick and convince themselves that they can't ask for a higher price than what they see asked by people who are just hobbyists and draw/draw as a pastime, not as a value.
People who think it's unfair to ask a fair price for what they see as fun, without realising that in this way they are ruining the market for everyone.
You don't know how many people, because of my work as a graphic designer (I do this too, even though I hate it. Apparently I'm good at it and people look me up to layout things -_- ) because I ask them for a more than fair price.
I was once called arrogant because I asked a BIG client to put clauses in the contract (like they should pay me extra for urgent night work and changes to approved work, NORMAL things). It was a big job but I turned it down because the premise spoke of exploitation and ulcers.
I see more and more young artists going into burnout trying to keep up with the expectations of an audience that has no understanding whatsoever of how hard it is to do creative work.
I have seen people lamenting the death of an author because then they would never read the ending of his work. How did he allow himself to die (from too much work, by the way)? So disrespectful of his fans!
And unfortunately, you can't ignore these dynamics entirely either because there's no other way to get known and find work anymore.
I tried at trade shows, with my portfolio under my arm, but I left crying because what I got were sexist remarks and obscene proposals. -_-
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I agree with everything you said, that's why I hate social media, because people there always devalue the artist!
(In the last paragraph I felt a hint of indirection by my latest sketches -u-)~
2mo
Well, yes, the rant started after talking to you but it's something that's been bothering me for a long time.
You look on social media and it's all sketches!
I call a sketch something I've done quickly as an exercise, in 30 minutes at the most, whereas I often see finished works called sketches.
Someone may have spent hours on it and instead of being defined for what it is, a painting, pencils, inks, an illustration, it is 'just a sketch'.
It's a taking away of value, it's not fair :(
added a new topic
Don't be influenced by the social mentality!2mo
Very often (too often!) I see young artists obsessed with the canons demanded by social networks such as Instagram: having to produce a new original drawing EVERY DAY, calling anything that hasn't taken a month of work "a sketch " (as if there is time left for articulated projects having to, for example, meet the crazy parameters imposed by Instagram's algorithm!) and being subjected to prices that are insane to say the least.
It was quite shocking a couple of months ago to see a very good painter being insulted because, in a private message asking her how much she wanted for a portrait, she replied $400.
This artist paints in oils in a realistic style reminiscent of the Flemish masters, yet recognisable and very original. A portrait of her would not be out of place in any museum, but for this "client" it was not worth more than 20 dollars, because these are the prices people have become accustomed to on social networks.
If you ask for a fair price, you will be insulted, pilloried on social media, accused of being greedy and having no talent, shouting "Even the poor have a right to beautiful things!".
Absolutely true, so much so that the net is full of free content that EVERYONE can enjoy but, or you can easily buy cheap prints.
The point is that when you ask someone for a custom painting or drawing what you are asking for is a luxury.
A tailor-made suit definitely costs more than the T-shirt bought on the market stall.
People have convinced themselves that everyone is entitled to free or very cheap art (because young people are convinced that this is the case and sell out their work) without realising that often the artists they are insulting have a lower annual income than they do (and in many cases a crazy student loan to pay back).
In the past few months a creative collective in my country (Italy) has finally done a survey on the annual income of comic book artists.
95% of them earn LESS than 5000 euros gross per year (on which you have to pay taxes even if in other cases under 5000 euros per year you don't fall into the taxable income bracket).
That was my income in 2020, this year was much worse, I think at the end of the year I'll be lucky if I get to 1000 euros (our category is also excluded from state aid, not being recognized as a profession. Exactly, in the country of the great Renaissance masters, creative people are not recognised as workers. But they do pay taxes)
In short, when people talk about poor people deserving to have our jobs for 20 dollars they ignore the fact that WE struggle to pay our bills and rent (I'm lucky that my husband, a journalist, has been very busy covering the news of the pandemic, otherwise I couldn't even afford to buy food)
Everyone deserves nice things but we deserve to be able to support ourselves with our work, which takes years of study and practice.
So please stop devaluing your work and calling sketches what are actually finished drawings that took you hours to complete!
On social media they call them sketches just so they can be paid cheaply!
Hi Miguel, I like your somewhat expressionist style, I don't know what you mean by your request, the head seems a bit small in relation to the torso, if you want to increase the drama (my guess), you could try exacerbating the torso twist.
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Asked for help
My first time doing gesture as I’ve always put off doing them as it always seem very intimidating. I tried not to over think or complicate it too much, I didn’t time myself but was no more than 2-5mins for each attempt. Any feedback is much appreciated
2mo
Try not to be distracted by the contours of the shapes.
In some cases you have inverted the curve of the legs for this reason, as in the second photo of the first picture where the curve of the outstretched leg is upside down.
For now, don't worry about drawing shapes and outlines, just focus on the gesture.
Only one line for each body part, you have to draw the movement, not the contours. :)
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Beautiful, as always.
I love the atmosphere you give to these paintings of yours!
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Great result here ! Really like the shift in colors and the different scene intensity ! Really nice !
These look great!
I really like how we're woven into the story in the first page with the establishing shots, and I absolutely love the build-up in the last 3 pages where the horse comes back up and the overall paintings are beautiful.
Thinking about what @Yiming Wu said - perhaps adding another page between 2 and 3 with some establishing shots for the flashback and starting with a panel from the present would help visually strengthen the connection?