Nio
Nio
Earth
Nio
Asked for help
Along with this assignment, I followed Naranbaatar Ganbold's Painting Facial Features tutorial. I highly recommend it. I memorized the forms of the nose, mouth, and eye in-depth thanks to his teaching. I also feel confident enough with the fundamentals to look for a style. The colored paintings are my attempt at finding something I like. Critiques appreciated.
Write reply...
Drop images here to attach them to the message
Nio
Asked for help
I feel I really leveled up this time around by taking my time, really processing all the information, and deciding each stroke. Spent 11.5 hours. My favorite is #63
Write reply...
Drop images here to attach them to the message
Samuel Sanjaya
Hair studies. My kneaded eraser doesn't seems to work the way I want, so the detailing part get somewhat botched up. I wonder how proko can get that sharp, clean result when erasing, without mushing up the charcoal. Any feedbacks / critiques will be greatly appreciated
Write reply...
Drop images here to attach them to the message
Nio
9mo
Yea I have the same issues with my kneaded eraser. Here are some factors: 1. The paper matters. Kneaded erasers have some trouble being crisp on cheap sketch paper. 2. Too dirty. Over time the eraser builds up charcoal and you get mushy marks leftover when trying to erase 3. Oil build up. Our skin produces natural oils that mess with graphite and charcoal. The more you touch your kneaded eraser the more oils you'll get into it which also affect erasing.
Reply
Nio
Asked for help
2nd time doing the course. Spent a LOT of time studying the planes of the skull more in-depth. Here are the resources I used: Proko Skull: https://sketchfab.com/3d-models/male-skull-1e54622b84ab46fd9f4518c47fa60929 Skull Planar: https://sketchfab.com/models/3c85221828f64408b8dd23022319159c/embed?autostart=1
Write reply...
Drop images here to attach them to the message
Nio
Asked for help
Coming back 10 months later to take the course again. Both took 20-25 minutes.
Write reply...
Drop images here to attach them to the message
Nio
Asked for help
Sorry about the image quality, I'm not sure why it came out so bad. By far my favorite assignment. I started on the background first for all of them to make sure my values wouldn't be messed up in later stages. I used the 'Multiply' layer for my values and 'Overlay' for colors. Sometimes I would add an 'Add (Glow)' layer for special occasions like #12. Then I would touch it up with a normal layer by adding gradients and strong rim lights when needed to really get the form to read. I struggle the most with ambient light. I had similar issues with ambient light when painting real faces in lesson 11 so any advice with how to tackle that would be really appreciated. Critiques always welcome
Write reply...
Drop images here to attach them to the message
Nio
Pretty interesting lesson. This lesson was an introduction to shape design for me so I don't have any great advice other than use Kaloo's template (you can find it in the downloads). I would not have done nearly as much work without the template.
Write reply...
Drop images here to attach them to the message
Omar Khan
I'm very very new to art and its concepts! So forgive me if my questions seem very basic What exactly was the "bounce lighting" about ? Why would there be a highlight where the shadow should be? Thanks! -
Write reply...
Drop images here to attach them to the message
Nio
1yr
Asking questions is a great habit to have so don't worry about it :) Proko has a video on lighting and shading: (Skip to 2:15 to learn about bounce light) https://www.youtube.com/watch?v=V3WmrWUEIJo&t=295s&ab_channel=Proko After you watch that video, try bouncing light onto your own hand by putting a white sheet of paper in front of it while facing away from a light source. See how it functions in real life. (Check out the pictures below of my hand to see what I mean). Lack of bounce light is also why you cannot see the shadow side of the moon past the terminator (The line that begins the shadow side. Think of it as a border between light and dark). There is nothing around the moon for light to bounce off of, so it appears pitch black like space.
Reply
Nio
Very fun assignment. Instead of using just the Alla Prima Technique I decided to explore different ways of rendering and styles. I especially like what @9brookskim (on Instagram) does for their process and tried it myself in the last portrait.
Write reply...
Drop images here to attach them to the message
Nio
Feedback is appreciated =) I really enjoyed this assignment. I learned a lot through each portrait and experimented with a lot of different methods. I could definitely see myself studying a face from EarthWorld's website for a character. Everybody is incredibly interesting in their own way and the expressions are awesome. I eyeballed all the proportions except for the bottom left lady on the last sheet. I find my worst mistake when doing this is flattening the back of the head by bringing it closer to the face. I'm a little surprised looking back at all of them now and seeing how drastic it is.
Write reply...
Drop images here to attach them to the message
Nio
Asked for help
I was pretty confused at the beginning so I chose some references that were simpler in terms of lighting. I really like this way of painting so I'm submitting my assignment as it is because I will continue practicing this technique in my personal work anyways. I just wanted to get the concept down. Things like proportions and getting the right shapes will come with practice.
Write reply...
Drop images here to attach them to the message
Nio
2yr
Also I forgot to mention this advice... flip your canvas. I have a terrible habit of NEVER flipping my canvas... I just don't think about it which really isn't good. I went back and flipped both of my paintings and found some errors that could have been easily solved if I flipped it during the painting.
Reply
Brandon Miele
Write reply...
Drop images here to attach them to the message
Nio
2yr
These are incredible!!
Reply
Nio
Really really love this assignment. I'm going to start doing ~30 minute speed paints of master studies as my warm up. Speed-painting is really nice if you don't concern yourself with proportions and only focus on getting the correct colors, values and edges. But having such large proportional mistakes and unappealing shapes does bother me though... It really kills the piece for me. I'll continue doing 30ish minute speed-paints but I'll use the first 2 mins for a lay-in. I got sucked into the first painting and completely forgot to update my progress. Sorry! I posted 1 minute time-lapses of these 3 studies on YouTube. I'm not sure if I'm allowed to post links here but if you need to see the full progress my YT is linked on my Proko account Also, I should have really pushed the blurred edges on my speed-paints. Critiques always welcome
Write reply...
Drop images here to attach them to the message
Nio
Here are notes I took of the entire lesson. The lessons are becoming more complex so I encourage you to take notes as well, don't just read my notes. Writing down what you find yourself will help you reinforce the ideas yourself. Here's the most important info before you start: The main purpose of the assignment is to learn brushwork, carving, and layering paint by studying masters. Extra things you will practice/learn:  1. Painting skin tones (wooooooo) 2. Practicing lay-ins 3. Squinting to find SIMPLE geometrical shapes 4. Utilizing blurred edges and sharp edges 5. Speed painting  6. How to study from masters you enjoy I see people in the unofficial discord confused with the purpose of this lesson. Keep the main purpose in the back of your head as you go forward with the lesson.
Write reply...
Drop images here to attach them to the message
Nio
This was by far the most confusing lesson. I was VERY lost and even a little frustrated because of my confusion. I hope nobody after me becomes frustrated with learning so I'm including my personal process and MOST of the information I gathered. And keep in mind, my process will not work for everybody. It may not work for you, and it sure as hell doesn't work for every single reference. But its an overview and a base. Most importantly: what I say and paint isn't perfect. There will always be mistakes. I want you to learn from what I'm providing. And if what I'm providing includes mistakes, learn from those mistakes. Out of all the information, the most important thing Ahmed mentions and what helped me the most is focus on high contrast areas and brush economy (macro to micro). More information about what I learned and why I posted weird screenshots of my art is included in the text
Write reply...
Drop images here to attach them to the message
Nio
Really fun assignment. Decided to learn how to use gradient maps with 15-20 and found out I don't really like using gradient maps Some advice I have is paint what you want to paint. Unlike previous lessons, you're not told what to draw or what colors to use so make art you personally enjoy. Also, don't be afraid to step outside of your palette to make the painting better. I didn't like the brown in #8 so I made it dark red... the desaturated yellow in #2 was meh so I made it look like gold instead... #10 didn't have any dark values so I added some based on what I had... #18 was (mostly) monochromatic but I added another hue for the hair. Find what works for you.
Write reply...
Drop images here to attach them to the message
Nio
Completed the first of 20. Really like how this turned out. I'll post the rest in batches when I get them done (to avoid spamming the entire assignment page). Thanks for any critiques by the way, they're very helpful. Also, for the process. I did pretty much exactly what Ahmed did in the video. The only change I made was adding a higher value because I felt the piece needed it badly. Goodluck everybody!
Write reply...
Drop images here to attach them to the message
Nio
Asked for help
32 little paintings. Each 5 minutes. The mouth and nose clicked for me once I got through some of them. The ear pretty much stayed consistent and the eyes are a mess. Never really understood where I was going wrong with rendering the eyes. Maybe my process was off? No idea. Anyways, I'd love to get critique on that. Thank you!
Write reply...
Drop images here to attach them to the message
Nio
Asked for help
Here's my first assignment finished. I confused the cheek area under the eye at first. I thought it caves in but it just follows the curvature of the eye and then bulges out for whatever muscles are there. Also should have just simplified the forehead on #5 and taken more time on #6. If you're having trouble, look at yourself in a mirror or observe people in public. Seeing others in public is actually what resolved my misunderstanding with the cheek and eye. I'm also going to do the hardmode for this assignment and I recommend everybody else do so as well. The first exercise is great for familiarizing yourself with the form, but actually painting the forms is far more beneficial.
Write reply...
Drop images here to attach them to the message
Nio
Asked for help
I was REALLY enjoying the lesson so I took it a step further and made a finished piece. Ended up changing the expression to be a little more menacing. Anyways, I'll post again here once I finish my assignment
Write reply...
Drop images here to attach them to the message
Help!
Browse the FAQs or our more detailed Documentation. If you still need help or to contact us for any reason, drop us a line and we’ll get back to you as soon as possible!
Your name
Email
Message