I like to join in with you

Cartoons are the most dangerous form of art. You can express a whole lot of things in a single cartoon piece and every other person will take that in a different way. someone thinks that's funny, someone will look with a deep meaning and someone will see what you meant to see them. And cartoons for me also means lively. You can draw a few lines on the page and they'll pop up to life. I guess You cannot do that with another art style.

I have a commitment issue. I have been late in every assignment. Just trying to be more committed. I draw a character based on this reference. I love country life so I wanted to draw a simple farm boy, and his simple living. Hope i did good this time.

I think a lot of people's problem with drawing from imagination is that, in order to get good looking results, you really have to understand your subject well. You need to understand the 3D structure (form) as well as how it moves and distorts. When drawing from observation, you could get away with "copying" the photo without fully understanding why it looks that way. This way you get good results even if you didn't fully understand what you were drawing. But when drawing from imagination, there's nothing to copy, so your drawings will expose all of your shortcomings and the gaps in your knowledge. This is frustrating for a lot of people (including myself), but I think as Stan said, it's an important hurdle to get past. Because you can only improve if you know what your shortcomings are and face them head on. Drawing from observation all the time (especially from photos) allows you to hide those problems away, and I think it really hinders your growth.

I'm new to this but wanted to take the challenge. This is a robot I thought of. he draws "traditional" art all day every day the "traditional" way. His name is TRA-D

I am going to be honest that I did do quick sketches just to get rid off the assignment. And I know it's not the healthy way to learn but i didn't got that much time

In India it's still 16feb so I am not that late so here is my assignment for this week. It was interesting.

Hi again, @Struggler! I recently remembered something that I believe you might like to know about. I wonder if you’ve ever heard about the concept of “iteration”? It’s an idea from the computing sciences, but it’s also commonly used in design as a problem-solving method. Here’s the Oxford Dictionary definition for it: “repetition of a mathematical or computational procedure applied to the result of a previous application, typically as a means of obtaining successively closer approximations to the solution of a problem.” Essentially, here’s how it works in design/drawing: first, we draw a sketch; then, on a new layer (if it’s digital) or on a sheet of tracing paper, with the sketch underneath, we draw a new sketch, not tracing the first one, but using it just as a base and changing whatever we think could be improved in terms of shape, gesture and overall design; then, on top of just the second sketch, on a new layer/sheet, we draw a third one from scratch again, repeating the same process and with the same idea of making adjustments and improvements; and then a fourth one; and a fifth one; and keep doing it, always taking just the latest sketch as the base and improving upon it, and we do it for as many passes as we need until, hopefully, we feel we’ve reached a satisfactory result. As a practical example, I’m attaching here an attempt I made recently as a study. The first sketch was already simplified and had some things I liked about it, but I decided to take it further and try an iteration exercise. I thought to myself: “What is this character, his facial features and his shapes really about?” I figured it was about the elongated face and neck, the bun, the teeth and the pointy nose - so I did two other passes trying to exaggerate these qualities and dim down other features (hair, eyes, beard texture), while also experimenting ways to improve the shapes, the simplification and the style more and more. As another example, philipino artist Nathan Pangilinan (whose work with shape design I admire a lot) recently showed his process for designing an animal illustration in this post on Instagram: https://www.instagram.com/p/CFpOu9GAJ7G/?igshid=YmMyMTA2M2Y= I find it amazing how much change there was just from step 1 to step 3, which is when I think he really started to achieve some interesting shapes. @Court Jones also shows his approach to iteration techniques in his Caricature course, in this lesson called Caricature of a Caricature. On each stage, he exaggerates even more the unique features of the face, and tunes down everything else - and that’s what leads him to such interesting and boldly exaggerated designs. You might notice Court takes each sketch all the way to a pretty developed stage, which might not be necessary though when we’re just on the early stages of a drawing (as you may have noticed in Nathan’s sketches and in mine). Since shape design was something you mentioned you wanted to improve in your work, I thought perhaps you might like to try iteration exercises as a way to develop this skill (in case you've never tried it before). The best results for this exercise happen if we adopt a mindset of being curious about “how far can I take it?” and if we’re willing to take risks and not be caught up on the fear of “making mistakes”. Hope this helps!

Ended up simplifying the laces to a single C or S with a C eyelet. Like the rhythm that can come from those lines. Kept the snail shell hard with straight I lines and let the snail take the organic S and C.

Day 1. A photo from Pinterest