Linus Lehmann
Linus Lehmann
Germany
Linus Lehmann
Level 1 and 2 of the first photo. I was extremely short on time the last few days, I will work on the other photos when I have more time, but I wanted to post something in time. And I noticed myself how I wasnt too consistent with the proportions of the boxes, I will focus more on that in future studys. Any feedback is very welcome.
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Linus Lehmann
The end of the video is cut of, it stops in the middle of a sentence! Im very happy and thankful to be included in the video, and Im looking forward to see the rest of the critique!
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Linus Lehmann
I did some more musclestudys. I think I managed to improve my understanding of the muscles quite a bit. I think Im going to work on my whole body poses next trying to draw good poses from imagination that have volumes, muscles and flow. Any feedback is always very welcome!
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Linus Lehmann
My attempts on the last fotos.
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Hanna Looye
I did heads 1 too 5 at the beginner level as a warm up and then head 6, 8, 13 and 9 at the advanced level. I will focus on head nine because that one I found really difficult and any critique on how I drew the box is very welcome. This is what I think I did wrong: So version one was wrong because I did not tilt the box sideways. It's a small difference in angle, but it is there. And I made the box recede to much at the back. So version two (which I also drew bigger.) Is correct in that the box has a small tilt and is pretty much the same size at the back as at the front. The second version is still not correct because I drew the nose and the mouth too small and at in wrong place and misjudged the angle of the jaw and the ear. The way I found my mistakes was by scanning my drawings, trace the reference photo and then layer the trace over my drawing. I think this is because after I drew the box, I guessed the lines for the eyebrows, nose and mouth and then started to draw ignoring those lines. I think I could have gotten a better likeness if I had first drawn the lines for the eyes, nose and mouth and checked those with the reference photo. Do you agree or there other things that I overlooked?
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Linus Lehmann
Great studys! I also found nr. 9 to be the most difficult one of all the fotos i have done so far. I try to think about the loomis head in a box for my studies. I think the challenge in this picture is to draw the exact amount of cranium that can be seen in the image, despite it beeing covered by alot of hair. To me it looks like you only put the face into the box but not the whole skull. I did struggle with nr. 9 as well, and my own drawing of it isnt as good as I would like it to be either. So im not really an expert, but i wanted to share my thoughts, since I struggeld with that one aswell.
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Linus Lehmann
My attempts on the fotos 6-10.
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Linus Lehmann
My first attempts. Will continue doing these.
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Valerio Capriati
here are some of my updates , i feel ready for the new chapter actually . I really want to draw muscles , i have been drawing skeleton and skulls for 12 daya straight ahahaha what do you think about this?
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Linus Lehmann
I think you did a great job with the skeletons and I love your enthusiasm. Looking forward to seeing your muscle studies!
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Linus Lehmann
The first three pages are 2 min per pose. And the last is 10 minutes. Fineliner, red pencil, grey brushpen.
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Jacob Ibáñez
2 min sketches. I hate every inch of every sketch. They are lifeless and boring and I feel stuck here 😭😭😭
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Linus Lehmann
I think the most important thing for you would be to draw simple volumes instead of outlines. It would be very helpful to come up with some very simple volumes that represent the body parts, (I use tubes for legs, egg shape or box for ribcage, tubes for arms egg for head). And of course it takes some practice to see and execute these volumes fast. David Finch has a great youtube video called Gesture drawing tips, I would recommend to watch that.
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Linus Lehmann
10 minutes each. Pencil and Fineliner, brushpen.
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Linus Lehmann
1. Santa trying to read my wishlist. 45min pencil, markes, brushpens. 2.Witch with burning fireball. I always wanted to try animation. And I just found some transperent paper (I had forgotten that I have that) and gave it a go. I did four different drawings (but I only ended up using three of them in the final animation.) Its my first attempt of doing 2d animation (exept for maybe some small attempts when I was a kid) and I had a lot of fun with it. Charcoal and red pencil on very transparent paper, 45 min.
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Linus Lehmann
The first two pages are 2 minutes per pose. The last two pages are 10 minutes per drawing. I used pencil, and black and grey brushpen.
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Linus Lehmann
All 28 poses. 1 min per pose. It is already a bit dark here, but I actually really liked the framing of the small lamb.
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Linus Lehmann
Ok so these are 5 minutes per pose. I challengend myself to put them all into the same world (perspective) this time. So sometimes I had to draw them from a different angle than in the reference it order to still fit them in. Challenging but great practice I think.
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@ircaleonius
I love the content very though but very empowering when things clicks ! I still have a lot to work on ^^
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Linus Lehmann
I like really like your skeletons. I think you should try to do some different poses from imagination. For the skull studies I think you should basically continue doing them and focus on beeing loose and considering all the volumes. Draw all the unseen parts for some time. And try to draw all of the planes of of the parts of the skull. And do some from imagination from time to time Hope this is helpful. Just keep going!
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Valerio Capriati
Hi everyone, these are my results of 7 days of training in drawing, I notice clear improvements every day I think I did something better, from the third day onwards the sketches are all fantasy, the last exercise concerns the drawing of patterned heads in a maximum of 2 minutes, what do you think? I think one of my biggest problems is the view from bottom to top of the skeleton, do you have any advice on this? I stopped to draw a bit before moving on to the muscles, I think that without a solid base I can't move forward.
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Linus Lehmann
I think your doing very well. You said you are struggling with the view from bottom to top. How I would go about it: I would do a few quick studys of that angle where you are just focused on getting the most simplified volumes right. Do these long bendy lines for the spine and appendages and than put some extremely simplified volumes on top of it. Do a few of such studies until you get it right than you can go a bit more detailed again, and test your understanding by drawing that angle from imagination. Additionaly I think you should try to invent some poses for the skeleton from imagination, it might be hard (it certainly was for me) but dont worry to much about it you will improve your poses in the drawing from life/video section. " I think that without a solid base I can't move forward." I agree with that to some extend, its true that the chapters are kind of building on top of the previous chapter. However its also true that all of the chapter benefit each other. You shouldnt try to completely master one chapter before moving on. Spent some time on one chapter before moving (maybe one or two weeks, but it really depends on how much you practice and how your feelling about it) to the next chapter. But dont consider a chapter finished but revisit old chapters from time to time to keep improving them. Hope that helps. Looking forward to seeing your future studies:)
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Salvador Gomes
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Linus Lehmann
Great studies. Your volumes and flow seem good to me. I think you should try to draw it from imagination from different angles to put your understanding to the test. You should also try to draw the skeleton with different poses from imagination. Hope this helps:)
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Linus Lehmann
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Linus Lehmann
The first two pages are twenty minutes per page. The last page was ten minutes. I sometimes did several drawings, but everything on one page is the same pose.
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Linus Lehmann
The first page are two minutes per pose the second and thrid page are five minutes per pose. Will try to do a longer one later!
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