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Learn the basics for how to draw a variety of clothing and drapery. Master the 7 basic folds and understand how fabric interacts with the human figure.
I love the intentionality that this lecture brings to the task of studies without having to get tense about it, giving structure to something I've, up to this point, just kind of did with images that I react to or have some interesting quality, like facial expressions or composition of the shot.
What is becoming increasingly clear is that for every aspect of an image, there is a lot to think about, or rather, get curious about. The internal dialogue becomes the internal conversation. And it also starts to make more sense why we start with the nude or its analogues. It's a training ground to begin asking questions about what we are looking at, what appeals, what the forms are doing, how gravity is acting, how the body is responding. But even then, it's easy to get caught up in anatomy rather than the act of asking questions.
Looking forward to the next one. The 5th Element is an all time favourite and Jean-Paul Gaultier is a madman! Who better to team up with Luc Besson!
LESSON NOTES
What's in Premium?
In this lesson, we shift our focus from plotting individual folds to using costume and shape language to tell a compelling story. We look at film history to see how costume designers use clothing to show a character's arc. Using The Godfather as an example, you will learn how to analyze the progression of a character's wardrobe. We look at how rigid uniforms, flowing dresses, and color choices reveal a character's psychology.
Instead of worrying about perfect proportions or detailed rendering, we focus on loose thumbnail studies. You will see how to compare big shape designs, textures, and silhouettes. This helps you create a character lineup that visually communicates their journey. This approach gives you the tools to design costumes that actually mean something to your audience.
A character's wardrobe tells their story before they speak.
Learn how costume choices and shape language reflect a character arc. We focus on the big picture instead of obsessing over perfect proportions to show character growth.
I love the intentionality that this lecture brings to the task of studies without having to get tense about it, giving structure to something I've, up to this point, just kind of did with images that I react to or have some interesting quality, like facial expressions or composition of the shot.
What is becoming increasingly clear is that for every aspect of an image, there is a lot to think about, or rather, get curious about. The internal dialogue becomes the internal conversation. And it also starts to make more sense why we start with the nude or its analogues. It's a training ground to begin asking questions about what we are looking at, what appeals, what the forms are doing, how gravity is acting, how the body is responding. But even then, it's easy to get caught up in anatomy rather than the act of asking questions.
Looking forward to the next one. The 5th Element is an all time favourite and Jean-Paul Gaultier is a madman! Who better to team up with Luc Besson!
Thanks for that, Josh. I feel like you have an uncanny ability to provide a summary which states in a clearer more direct way the overall point behind the lecture.
So many spoilers for the God Father! Considering it's been on my "to watch" list for 20+ years I'm shocked it took this long to have any of it spoiled. The analysis is really interesting.
Ha! I didn't think we'd need to put a spoiler alert at the beginning. Glad you found it of interest.
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