The Shading Course
Welcome
Module 1 - How to Separate Light & Shadow
Module 2 - How to See Light Effects
Module 3 - How to Control Values
Module 4 - How to Organize Values
Module 5 - How to Create Realistic Shading
Module 6 - How to Use Light Probes
Module 7 - How to Show Form
Module 8 - How to Invent Shading
Module 9 - How to Use Maquettes
Module 10 - Bringing it all Together
Dorian's feedback for assignments posted before 21 December 2021.This assignment has evolved over the years, so the exact examples I review here might not match your assignment, but the concepts will still hold true.
Newest
Ciro Damiano
5mo
I started the course now, but the exercise you are showing in the feedback are missing. Where can I find them?
Kristina Gehrmann
9mo
I wish this had captions too ;_;
@evnl
3yr
I was wondering how to use masks to create gradients while preserving form for awhile. Seeing it happen real time really helped me understand what it takes and how to do it.
Félicia Gagnon
3yr
Thank you for the feedback. I agree 100% with what could be improved.
Tony Vu
3yr
Ah! The use of black for AO really helps. I wasn't quite sure what value to use, so this is immensely helpful. I can definitely see the muddy issue I have in my studies. I'll try to make my future studies more clear and concise.
@gasyadocro
3yr
The mannequin part was very helpful ,especially the occlusions of body and arm. Thank you!
@gasyadocro
3yr
And of course helpful too about critique for mine. I didn't see the darkest (and most precious) point of AO. Dive into AO really changed my eye👀 Thanks!
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About instructor
Former program director at Barcelona Academy of Art. Passionate about teaching craft and exploring the inner game of art.
