A good composition isn't just about where you place things, it's about how you control the viewer's eye. We’re breaking down the fundamentals of value design, leading lines, and depth, using examples from masters like Sargent and Craig Mullins.

Whether you're struggling with tangents or just want to add more drama through cropping and contrast, these tips will help you organize your image into something that tells a clear story. We also look at a few essential books for your library, including Edgar Payne’s Composition of Outdoor Painting and Framed Ink by Marcos Mateu-Mestre.