Creating a Comic Page
Scripts and Layouts
Drawing a Reduced Size Layout
Assignment - Reduced size Layout
Drawing a Full Size Layout
Line Weight, Shadows, and Rendering
Assignment - Penciling
Inking
Nontraditional Page Layouts
Drawing Perspective Heavy Environments and Locations
Environment Pages: Line Weight, Shadows, and Rendering
Page 3 - Thumbnailing from Difficult Scripts
Cinematic Storytelling and Compositional Pitfalls
Lesson by
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Cinematic Storytelling and Compositional Pitfalls
Lesson by
224K
Mark as Completed
A good comic always starts with good composition. Let's take a look at my process for cinematic storytelling and how to avoid some of the common mistakes you might run into.
Newest
Jean Claude de La Ronde
22d
Awesome! Nice to hear about the 180 degree rule being applied. Basic cinematography theory that will level up the storytelling for sure. Always keep track of where you put that camera is key if you want to retain the visual flow of things and avoiding confusing the audience by flopping the characters from one side of the screen to the other. There's also the 180 degree rule being applied to three characters and more worth checking that one out as well.
Devon D. Yeider
9mo
Creating a one page comic based off the previous two lessons:
- rule of thirds
-compositional shape
-lighting
Shot selection:
P1- establishing shot
P2- medium shot
P3- medium shot
P4 - close up
P5- POV- downshot
P6- wideshot
P7- close up
P8- long shot
P9- wideshot
P10 POV upshot
Ely
2yr
The hockey metaphor helped cement the 180 rule
@colemancreates
2yr
I decided to make a page that includes all six basic panel types to better understand the lesson. All the while doing my best to avoid the pitfalls. I based my scene on the video game Nier Automata. How did I do? I recommend this optional challenge!
Panel 1: Close-up
Panel 2: Profile
Panel 3: Medium close-up
Panel 4: Establishing/wide shot
Panel 5: Down-shot
Panel 6: Up-shot
@salmansufi
3yr
I'm gonna need to watch this a couple of times
Charlie Roberts
3yr
Here's a comic book page I made a while back before ever watching these lessons. At the time, I thought I was being clever using a tangent between the lower jaw in the smaller panel and the side of the horn/petal/nose thing in the larger one.
I wanted to ask two questions.
1. Do you think the tangent worked in this instance or not?
2. Are there examples of where tangents can be used to bolster the impact of the page or should it always be avoided?
Jme
3yr
I have a question about figures intersecting the sides of panels. David's description makes sense, but I've also seen super close-ups that essentially cut off one half of the character's face using the top and side of the panel. Things like that.
What's an effective way to do this without it looking odd in the way the video describes?
Benjamin Goerge
3yr
A bit unrelated, but what kind of pencil are you using? it looks like a mechanical pencil, but allows for more of the edge of the graphite to be used.
Erin :-)
3yr
Wow, that was amazing! I love the way he broke down and demonstrated tangents. It's funny, from photography, to drawing, to digital painting, to even observations of things you pass day to day, some things look odd and don't look natural, this explains why and I hope to be able to do better compositions based on this information. Thank you David, nice job presenting it :-).
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About instructor
I’m a comic book artist for Image, Marvel, DC, and others.