Assignment - Tumble Cubes
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Assignment - Tumble Cubes
courseThe Perspective CourseSelected 2 parts (147 lessons)
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Charles James
I tried to combine both assignments by starting with the flaps, then finding their carried horizons and building out the rest of the cube.
LESSON NOTES

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The secret to drawing like masters who invent forms without copying is constructing with forms without slowing down. This lesson assumes you can draw a box in perspective but want to step up your accuracy.

Fixing Arbitrary Convergence

When you draw freehand lines aiming in a general direction, they often go wrong. This creates arbitrary convergence. This distorts the illusion of your drawing. Making straight lines with a ruler does not mean placing them well.

All receding lines must converge toward one point per system. Randomly choosing the positions of vanishing points is a mistake. You need a horizon to define what is level.

Tumbling Forms

Anything level has vanishing points on the setting's horizon. When cubes spin on their Y-axis, they stay level. This is called yaw. The vanishing points crawl back and forth on the horizon. Vertical lines stay vertical.

Things change when a cube tumbles.

  • Roll: Tumbling on the Z-axis. Vertical lines no longer stay vertical.
  • Pitch: Tumbling on the X-axis. The Z-lines no longer aim at the horizon.

How do you draw anything that is not level? You use two methods.

The Vanishing Trace

The first method is the vanishing trace, also called the vertical trace.

When you swivel a form on yaw, the vanishing points crawl left and right along the horizon. If you flip the scene 90 degrees, the horizon becomes vertical. This vertical line tracks non-level lines. A line right-angled to the horizon can trace tumbling lines in pitch or roll.

The Carried Horizon

What if you pitch, yaw, and roll a form all at once? You need to understand the carried horizon.

An object carries its horizon line with it. If you spin your drawing paper, the lines of the object stay intact. The Y-line is the stem of the form and the axis of aspect. The Y-line always stays fixed and perpendicular to its horizon line. This applies whether the horizon is level or carried.

Receding lines always aim to a point on a horizon. This is true even if the horizon is out of your vision or not horizontal. Tumbling cubes have carried horizons hidden from those who do not know this secret.

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ASSIGNMENTS

Assignment 1 - Box Flaps

Draw a solid box in a three-quarter view at ground level. Make sure it has good convergence and clean drawn-through lines.

Give the box a top flap in an open position. Place the vanishing points for these non-level planes up and down along the vanishing trace. Try a few flaps going up and away, and flaps going down and away. This teaches you to draw declined and inclined planes, stairs, or roofs.

Assignment 2 - Hidden Horizons

Choose 20 cubes you have drawn previously. Redraw them with your new understanding.

Find the hidden right-angled carried horizon and vanishing points for each tumbling block. You may need a T-square and triangle to be sure of that 90-degree angle.

Sketch them, check them, and correct them. Repeat this 20 times. Do this until you can clearly see the horizon as 90 degrees to the Y-line. You will imprint this relationship so deeply that you will never need to draw it out again. You will see horizons where others cannot.

Deadline - submit by July 05, 2026 for a chance to be in the critique video!

Dedee Anderson Ganda
Pardon the messy lines. note: On the first page, I just realized mid-way that when rotating the Box flaps, you need to consistently use the same vanishing trace, while I switched and used both sides making the flaps ended up weird.
Maestro
•
8d
Joseph Coplans
I never thought drawing a box flap would be so much fun
Zebra
•
11d
I understood the existence of carried horizons, but I had trouble putting it down to my drawings. I also wasn’t sure how it can help me draw a better cube intuitively. After practice and observation (because sadly I don’t have premium), I think I now know how to put it to use! And I want to share it. Here’s my note with explanation and conclusion. I hope it makes sense. If it’s helpful to you please let me know!
Ayesha Mahgul
Assignment 1 The more I try the more I don't understand.
Ayesha Mahgul
Assignment 2
Steter Tropfen
Here is my attempt, anyone feel free to critique if you see something
Hans Heide Nørløv
Neill
•
2mo
This exercise made my mind take The Korgis seminal hit "everybody's got to learn sometime" and replace the chorus lyrics with "every line's got to converge sometime" Initially I had issues with deciding the orientation of the horizon line on the carried horizon and I was getting some crazy distorted boxes. When i realized it should always go across the face that is "facing us" it got much easier. Here are one or 2 cubes, some boxes and some American Chinese takeout cartons. :)
@vange
•
2mo
Gannon Beck
It’s amazing to me that I’m continuing to stumble down the rabbit hole to find more nuance to the theory. This explanation is excellent. Thank you!
Maria Bygrove
Assignment 2 - hidden horizons ... I'm confused. I understand the part about "cutting a box out of the page" and rotating it and how the horizon rotates with it. I understand that the lines have to not only converge, but they have to all converge to one single point. But I don't understand what is the Y-line that has to stay perpendicular to the carried horizon. I'm assuming it's a line on which the Y vanishing point is located - is that correct? But I don't understand how do we find it. When drawing a box, I used to start with the Y-shape of the nearest corner, and go from there. But if I do that, draw a box that looks ok-ish to my eye, and then drop a line from the Y vanishing point to the XZ carried horizon in a way so it's perpendicular... well, it's just a perpendicular line, that doesn't often even go through the box, so it's not exactly "the stem of the form". So this seems to indicate that, instead of starting with the Y-shape of the nearest corner, one should start with just a V-shape, then finish the bottom (or top) plane of the cube, establish the X and Z vanishing points, then the XZ carried horizon, then find the center of that bottom plane, and from that establish the Y-line... Is that how one should draw the box to get it sound? I read through the earlier discussions and it seems like more people are confused about it but I didn't find a clear answer. Hope it might be addressed in the critique but if anyone has a an answer, I'd be very grateful. Haven't done my 20 boxes because I fear that I'm doing this all wrong.
Pamela D
•
3mo
Hi Maria, the way I understand the ‘y.’ Line is it’s the height line and it’s also the Yaw when the box spins. I think if you imagine the box spinning on its centre axis it helps to confirm it’s the Y line. The box pitching and rolling spins on the z and x lines. Also it’s easier to see the y axis on 2 point perspective as the y line is straight.
Maria Bygrove
Assignment 1 - box flaps I think I understand this.
Tori Tempo
•
3mo
@patsckan
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3mo
Jeremy Johnson
Max Long
•
3mo
These are my box flaps assignment submissions. I used a straight edge for my lines on these. My freehand ellipses are nothing to be proud of so I used an ellipse template for several of these. If my memory serves me correctly, all of these but page 23 were follow alongs. Cheers!
Max Long
•
3mo
This is my assignment 2 Hidden Horizons submission. I traced and transferred some of the cubes from the “Control Depth on Paper with a Simple Box” assignment, and then corrected them with the red, green and blue pencils signifying the axis. If there is a #, that’s the reference number from the Control Depth on Paper…. assignment. Some of the horizons are level and some are not level. Some of the first ones, all the Y axis lines are parallel at a 90° angle to the horizon line. Some of these, I referenced a Zolly image, and I attached a screenshot of the Zolly image. I know that you said to do these freehand and then make the corrections, but I must confess that I cheated and used a straight edge for the assignment. The off the page vanishing points were a challenge to do. Cheers!
Angelica
•
3mo
At first I mixed up which flaps should go to which vp and felt a bit confused. But after a while I started to get the hang of it. For the hidden horizon assignment I draw the box and then checked myself and found the vps with a red pencil then I corrected myself and checked again with a new color and so on.
Marshall Vandruff
You got it Angelica!
Ishaan Kumar
ASSIGNMENT: HIDDEN HORIZONS This was also an eye-opener in terms of being a great way to check if lines are converging correctly or not. I know for a fact that a lot of mine are not but the knowledge of carried horizons will definitely help me be less shabby. Apologies in advance for the untidy pages.
Marshall Vandruff
Untidy but well used. May your brain benefit.
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