AI vs Artist (or AI + Artist?) – Draftsmen S1E27
LESSON NOTES
What better way to come together this holiday season than to argue about AI? Marshall plays the role of the YouTube commenters from episode 12 and Stan battles him about the implications AI could have on art, suggesting we should look at AI from an optimistic and synergistic point of view.
“Draftsmen” is available in audio. Subscribe on these platforms to keep up to date:
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Referenced Artists/Works:
Elf
Posture Trainer
Lazy Nezumi
Glen Keane VR art
AI Jazz by Computery
Edmund Dulac
T. S. Sullivant
Oskar Kokoschka
Arthur Rackham
The Treachery of Images by René Magritte
Pouring by Nicolai Fechin
Guernica by Pablo Picasso
Eric Rabkin
Van Gogh
Great Utopian and Dystopian Works of Literature, Great Courses, by Pamela Bedore
COMMENTS
Regarding the question about an AI that could tend to your art need based on your genome:
The way this could potentially work would be by projecting a model to try to predict your personality based on the likelihood developing certain areas of the brain through your genetic code.
It would then always need to gather some information of your actual personality, through possibly some tests.
In theory should be possible, but due to the heavy environmental dependent nature of brain development is should be very hard to achieve.
timestamp 22:23 TextField commented that a proliferation of good AI art would devalue good art and Stan responds with :"Computers can write and we still communicate in writing" To defend TextField a bit: I think he's making a supply and demand argument. If the market for art is glutted with good art created by AI then people will buy that art and it will lower the commissions artist can make. I don't think TextField is correct because AI art will continue to be detectible and people will still want art created by a human enough to pay for it but I don't think Stan's response addressed that.
















