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So this one was struggle city for me in the beginning haha. Before even starting the first part of this long pose, it took me two whole days to push past the mental barrier (or fear of failing if you will) to even commit charcoal to paper.
I can say I'm happy with what I've been able to achieve here, though the part of my drawing that bothers me the most is the undersized outstretched left foot. As Patrick mentions in a later lesson "there's nothing more insecure in a drawing than small feet" haha, and it shows here so watch out for that.
I've started taking progress photos along the way so I can document the stages of the drawing, here I'll include the very first rough alongside the finished states. This is one of the difficult points I'm finding in my "artistic journey", how to visualise from the "ugly", rough stage of the beginning to (hopefully) coming to an end that will be aesthetically pleasing to the viewer. Once again great exercise here, challenging in more ways than one!
LESSON NOTES
This time, we'll be looking at interlocking shapes and discussing how to work through the many puzzles we'll encounter while drawing. We'll also revisit the head using what we've learned so far.
You can expect to learn about:
- Tough angles head up, ears down
- Moonlight in charcoal
- The three shadows
- Arm and hand structure
- Fingers
- The Frazetta head
- Placing paper without smudging
DOWNLOADS
a-world-of-interlocks.mp4
1 GB
COMMENTS
here is my finished work. I kind of get lost not knowing when it’s done or when I should keep rendering or what steps to take but I will definitely revisit this lesson so much advice!
I kept the same face, but changed some details and tried to follow the theme.
Something feels off about the proportions of the body, and I think that in some points I can't be as dark as it should be.
But overall I feel that I am improving a lot, can't wait to start the next lesson.
at a fairly early stage I realized something was wrong with the abdomen, I thought I could fix it and kept drawing. I think I went too fast for darker tones and couldn't intervene. Even though I see all the mistakes, I’m still happy because I trained my hand and eye, learned a lot and hope I don't make the same mistakes again.
Had a lot of fun with this one, still I would change a few things so will definitely draw it again :)
Feel like mine turned out a bit more cartoony. Will need to examine more closely why it feels like that. Thank you very much for the long pose!
Today, in a life drawing session in Paris, I tried to draw the model as a mermaid.
It was the longest pose, so I had 25 minutes to do that. It was really a fun exercise! (for the trivia, she was reading a book on the ground. That's why the mermaid is looking so intensely at the shellfish ^^)
So this one was struggle city for me in the beginning haha. Before even starting the first part of this long pose, it took me two whole days to push past the mental barrier (or fear of failing if you will) to even commit charcoal to paper.
I can say I'm happy with what I've been able to achieve here, though the part of my drawing that bothers me the most is the undersized outstretched left foot. As Patrick mentions in a later lesson "there's nothing more insecure in a drawing than small feet" haha, and it shows here so watch out for that.
I've started taking progress photos along the way so I can document the stages of the drawing, here I'll include the very first rough alongside the finished states. This is one of the difficult points I'm finding in my "artistic journey", how to visualise from the "ugly", rough stage of the beginning to (hopefully) coming to an end that will be aesthetically pleasing to the viewer. Once again great exercise here, challenging in more ways than one!
