Four weeks of portrait sketching have come to a conclusion, and I was captivated by the alluringly melancholic vibe of the model I worked with . This time, I experimented with varied brushstrokes using new tools, which made it easier to achieve a different texture compared to traditional brushes. Additionally, the final color leaned towards a fluorescent look, which was honestly a pleasant surprise. Curious about the shadow shapes and the hidden structures beneath, I began organizing information about facial structures and muscles.