There isn't really a focal point. Right now the biggest value contrast is where the trees meet the sky. In the second one it is also where you have the sharpest edges. Also the tree line and the top of the rocks are kinda uninteresting, just very uniform shapes. If you are okay with bending reality a bit, you could try to change the shapes a bit while keeping an overall balance. Like make the rock shapes a bit more interesting on the left, and only have trees on the right. And of course make the waterfall the main focal point, push the values, shapes and details there. Just a suggestion of course, some paintings work without a specific focal point.
HIi @Siqi I am always struggling with composition on my own, so I maybe are not a big help... Your drawings are very rough. What is the main theme of your drawing? The water in the pool, or the waterfall? At the moment the falling water seems to be squeezed into the left corner. Deciding on the thing you want to make the focus point can help. Another thing: The sky and the water are very light, the rest of the landscape is dark. Light and dark take about the same area of your drawing. You could try to give the darks more space or the lights.
Hi everyone! I'm Siqi, and I started a painting based on a photo I took of a waterfall. I roughly blocked in the colours today, but I'm not happy with the shape of the waterfall, and the photo doesn't conveniently offer an aesthetically pleasing shape, haha. I couldn't really figure out a better shape ... so any suggestions would be very much appreciated! This is a bit of a branch of a dam-waterfall, so it starts from a pool of water at the top, and is kind of wide before it drops to a body of water at the bottom. Of course, I don't need to follow the exact structure of the waterfall, but in case that helps! Thank you! :)
Hi everyone! I found out about Lightbox /LBX2021 recently and I'm super excited for it to start tomorrow! This is one of the few benefits of the pandemic as I would not have been able to attend if it were not virtual. That said, I'm wondering if anyone knows about similar art conventions or expositions that are focused on art learning (e.g., presentations about careers, the drawing process)? I live in Canada, so I would also love to know about any local happenings here. Thank you! :)
Hi Alex! I actually just started Term 2 and I've been really appreciating this curriculum. I love the structure that this provides, and how I can attach somewhat of a timeframe to this curriculum. I was trying to structure my own learning before this curriculum and I felt SO lost. I am someone who likes structure and set topics though, so it's an especially good fit for me. I also like having a bit of a sense of accountability because I'd feel guilty skipping projects (e.g., the 250 cylinder challenge) that I find intimidating/dry/difficult.
I was also one of those kids who grew up drawing all the time, but I grew in a small town and didn't realize what opportunities were actually out there for artists. I ended up going into graphic design and am now a web developer. I am currently trying to find time to start studying art more seriously, but consistency has proven difficult between spending time with family, work, and exercising. I've had some success with scheduling time, but lately the toddler changes his schedule almost on a weekly basis. I pretty much have to commit to waking up super early or staying up pretty late. I'm still struggling to find the answer, but hoping to get back on track soon.
@Martijn Punt @Olga Bruser @Moonless_Sky @Uku Kivisild @Alberto Grubessi @Konstantinos Christofi @Yiming Wu @Gannon Beck (and anyone reading who may be interested) If anyone is interested in a small group chat to provide some support, motivation, and accountability, please let me know! :)
This was a challenge but I'm glad I took it. It was also super helpful to have Stan's demo to follow, since I don't know much about anatomy yet! One of the most useful things I learned is to try portraying each shape within the body as a 3D shape. I tend to be distracted by contours, so I think this made a big difference for me. Plus I really love Stan's manipulation of the light to make it look like it's glowing on his shoulder. I did this one entirely with graphite pencils because the art stores near me don't carry charcoal powder! (Boooo) So alas, I couldn't get as much of a value range as I could've with charcoal. I was able to superimpose my picture over the reference and Stan's drawing, so I know there are some things that are off about the anatomy and placement of muscles. If you have comments or suggestions, I'd love to hear them!
I ended up opting for the non-art related career myself, many years ago, having majored in Interactive Multimedia, and getting hired after graduation as a game programmer at a studio that made educational software for toddlers. It was around the same time I got hired, or even a little before, that I firmly decided I wanted to pursue a career in art (which had been a hobby of mine for the previous decade). It's not that I don't enjoy programming - it's just that I figured I'd rather do game development for my own projects, for fun, and I'd be happier doing concept art and illustration for clients. I worked full-time - so 8 hours a day, 5 days a week. I would definitely consider it to be cognitively taxing, but I did find that if I pushed myself, I had different pools of energy to draw from. After work, I sure as hell wouldn't want to push myself to do more programming at home, but while it felt difficult at first, I was able to coax myself into putting time into my art. Granted, it helped that I didn't have any other responsibilities - I lived with my parents, so while I helped them with chores in the weekends, I didn't have to cook dinner each night and had a fair bit of free time. I started making a habit of spending at least 3 hours each night on taking my art more seriously. First, I set a challenge for myself, where every night I'd do a photo study - a minimum of 3 hours had to be invested, and a minimum of 1 study. So if I happened to be satisfied with a study before that time was up, I would start another. If I got into the groove and wanted to go loner than 3 hours, I could, but of course I still had work the next day. I did this for 31 days straight, including weekends. Setting that end date helped, because I could see the finish line. It wasn't an arbitrary endeavor, so even if it was tough, I was able to push my limits knowing that it wouldn't be forever. I feel this had a pretty significant impact on me - it showed me I had it in me to pull from this separate well of energy, and that a lot of the time it could even help me unwind after work, even though I was trying to learn and train. After that, it was easier to invest that time in a wider array of exercises, in tackling illustrations that would be spread across several days and weeks, and to generally push beyond the limitations of a salary man. After about 15 months of this, I quit my job, took my savings and funded a 6 month trip to LA to study at Concept Design Academy. The rest is, as they say, history.
Hi Siqi I work in the field and I feel the same way (kinda) I still need to work on my fundamentals and I have some personal projects I want to do but it's very time consuming after work I create art for slot games and it's very cool and looks more like casual gaming but I want to take a shot at a more realistic fantasy art. I just realized not too long ago, that I'm in this job for over 4 years, I improved a lot in cartoon and stylized art but not really at what I'd like to do so now I struggle with time management for personal work. I think there's no easy solution but to have specific time in a week you know you can sit down without any distraction and work for yourself. I know about myself that if I was more disciplined, I could have improved 3 times more faster... and now I need to analyze what things can I sacrifice in a day so I could have more time for my art. It's also hard to balance it with life and not to burn out. I don't get stressed as much as I used to so I'm able to enjoy other things without feeling guilty but I sure do have to work on scheduling and having a proper deadline. I know people usually rush to the result and want to able to produce art as fast as possible (I did... ) but we shouldn't skip steps and it's better to take the time to do things properly. Good luck to us all Just keep learning, creating and focus on the present. Enjoy the journey and you'll get there eventually, It takes a lot of patience and remember to have fun! if it isn't fun, what's the point right?
Hi @Siqi, I love drawing and art and I also have a job unrelated to art, plus I have kids and general adult stuff I have to take care of on a daily basis. This leaves me with less time for art than I would like to have. One of the things that helped me the most to gain time is to always carry a sketchbook, I use this a lot when I'm waiting somewhere (for example when I bring my kids to sport practice), or during lunch at work. Most of my drawings are made in this way to be honest and I usually manage to draw each day. I also notice that it takes me about 5 minutes to get into the drawing zone. Sometimes I feel tired/reluctant to start, but I never regret it afterward. Don't stress/push yourself in the beginning, it doesn't have to be good, you don't have to show it to other people, you don't have to draw for hours. You will get into a habit of drawing over time and you will spend more time drawing as you progress, and now I get nervous when I don't draw for a couple of days. Another thing I did was to go weekly for a 3 hour drawing/painting class at an atelier, that's my time that's booked in advance and is non-negotiable. For me it was helpful to have this external thing to have a teacher motivate you, rather than it only being your own motivation that is driving you. Most importantly try to have fun!
Hi Siqi, I feel the same as a lot of people here and have found that trying to do too much has given me 'time anxiety' where I see every minute I am not doing something as being wasted. I got serious with my art practice in January and since then trying to fit it into my 55 hour work week (food industry) resulted in me spending all my free time drawing or thinking about drawing. I would recommend try to catch yourself early if you start worrying about every minute going by and just try to enjoy the learning process without too much thinking about whether you are doing enough. Also, I feel I am better at giving this advice than listening to it because it has been a struggle to deal with the stress but find what works for you. In terms of art goals, I also think since your practice time is limited, the best thing to do is establish what you most enjoy about art and other artists and what you want to do with it... You won't be able to learn everything because you'll likely become meh at all of it rather than really good at the one thing you actually enjoy. Again that is easier said than done, I still want to do everything perfectly but I am going to just accept I am not going to have time to draw perfect city scenery in perspective because my focus is faces and figures. I am not going to learn concept art because I just want to draw for fun not for a living..etc. Once you figure out a goal it will hopefully be easier to make big steps towards them without getting distracted by everything else around you, which will in turn save you probably years in the long run. Sorry to ramble, hope it makes sense and don't get time anxiety like me!
Hi Siqi, i'm very much in the same position as you. Right now i'm in my final year at university studing Management and i started drawing seriousy during my first year, indeed it is a struggle to work/study and draw and to balance everything is very difficult but there are some things that can help. First of all, try to find a time period where you are not as tired in my case for example i go to sleep around 10/11 pm and wake up at 6:30 am so that i can draw about 1-2 hours everyday, but before covid i used to wake up at 5:30 am so that i could go to classes comfortably. Also a big advice is DO NOT sit back on the couch, the moment you sit on the couch you lost because is so comfortable that you will need a strong will to stand up and go to draw. With time you will learn what is suitable with your lifestyle, so don't give up and continue to draw, when it becomes an habit it's easier
Hello Siqi!!! I am a doctor from Cyprus, studying in Greece in my first year of medical residency, second year of training after medical school overall. i started drawing as an amateur in my final year of medical school and it was indeed hard to find the time and energy, but the emotional reward was indeed something else. A few years later its the same story. Long working hours, lack of sleep, studying of other subjects can indeed take their toll. That being said I do love drawing very much so one way or another I am gradually building a system in order to be able to keep drawing and even improving over time. I am glad to see that there are other people in the same boat.
I'm now a graduate student... Yeah things gets busy but I guess I'm in a better position than when I have to go to work in a job. It's hard to find time to do art that requires a long duration to finish :/
It's tough. It's especially tough to do art at the end of the day when you're tired. What I did was I started getting up early and doing art before work. To make sure I got out of bed, I scheduled time with a friend. It helps to have the extra incentive of knowing someone else is going to show up to get my butt in gear. We do it three times a week during the work week and once on the weekend in the evening. We meet online two hours before I start my day job. We've been doing it for almost two years and it works. We started with two of us, but we've since had two other artists that have been joining us regularly. Sometimes I get to work on my own projects in the evening, but if I'm not up for it, I know I have time set aside.
Hi Siqi! You nailed the daily struggle of a want-to-be-artist :D I'm in the same boat. Extra working hours make it very difficult to keep up art while still doing sports, cleaning, keeping track of the garden... Life sometimes is overwhelming xD I do not know your daily routine but I did one thing that brought me a lot of time: I got rid of my TV. In the beginning it was very awkward to not have one. But now I do not have a TV for 8 years and I don't miss him :D It's so tempting to just throw yourself on the sofa but this does not make happy. Also I started to keep an eye for the hours I use my Smartphone. I try to use it less than an hour per day. This is important, because our brain needs time to rest and recover from all the impulses and superimposing informations you get all day long. When you do this you will feel very bored which is an unpleasent feeling. But that's when creativity starts to hit you :) Getting bored it very necessary for our brain. So I take my time to get bored :D Meditation helps to boost creativitiy too and helps to refill your batteries after a long day (no joke, it's scientifically proven that meditation has a lot of positive effects on our health). With all these measures I can provide to not loose track of my needs. And since creating is a basic need a human has, it really helps to give this impulse the room necessary for it's growth :)
Art learners with full-time non-artist work/school?
Hi everyone! I'm Siqi. I rediscovered my love of art a few months ago. It has been a very meaningful experience learning as much as I can about art, not to mention a timely opportunity to keep myself busy indoors! I was one of those kids who drew all the time, but I thought the only kind of artist I could become was a starving artist. Now I have full-time non-art work that is quite cognitively demanding, so it is often challenging and exhausting to do more learning and practising after work. I'm not looking for magic words that will give me extra time or energy (if only it works that way!), but I am curious about who is in the same boat. Maybe a sense of community might help us all to get in a bit more practice even when our brains just want to snooze? :)
Hi everyone! This assignment was WAY harder than Stan made it look! Similar to the gestures assignments, it was hard to simplify down to basic shapes, instead of drawing what I see and delving into the fun details. There is also something odd about how the shapes are placed next to each other, but I can't put my finger on it... I'm still on the draw 250 boxes challenge, so I felt the discomfort with drawing cylinders. I also noticed that I wanted to draw regular shapes, e.g., make the back side of a box smaller due to perspective when the structure might actually be bigger in size than the front. Looking back at Stan's work again, I notice that he used a lot more creative, manipulated shapes, like half-cylinders and combinations of boxes and cylinders (e.g., the top shape of the rhino in the critique). I'd like to try incorporating some of those going forward. Clearly, practice would be helpful, but any advice or suggestions would be much appreciated. Thank you!! :)