I used a different 3D model of a skull that looks a bit different. The oil clay I am using is more granular and too sticky than chavant NSP (a bit expensive) From the beginning I've wrapped the neck with too much paper, so made it too large.

Waw, the exercice with the photo is spectacular on how cool and worm colors work!

It would have been great to have zoom of how she use the tool on the sculpture and how she manipulate volumes.

Hey @Andrew Joseph Keith , The armature and the sculpture with clay:

Thanks Joseph, I am enjoying this course :) I know that building the body is not the purpose of this video, but is it possible to have a view from your standpoint? (might be camera at your fronthead?) It would be great to see the size of the clay chunks you're picking up, how you're manipulating them and where your placing them in the body. Keep it up Joseph!

Thanks Andrew! With an armature stand tied to a finished sculpture, how it is detatched? We never see the armature stands in finished exposed works.

F11 for the browser full screen.

Hey Proko, do you know Nurgaleev Azat? The Russian artist & teacher. I would love to see a course from him in proko site.