Who's good at hands?
3yr
Jo Sheridan
Hi @Liandro @Stan Prokopenko I don't know what is wrong with me, but when I hear that there is something that people find hard, I see it as a challenge... So I had a go at a hand - I tried to do a block-in that showed all the planes and then started the shading - what I did find was that I felt the need to rub out my block-in lines in order to make sense of the shading, so that felt a bit weird - I guess I should be making better use of it. I did this almost entirely with a HB pencil, with some 3H for the half-tones. I think it would be better had I used a wider range of pencils?? I also have to admit that I haven't yet got beyond finger bones in the anatomy course, so I probably should have waited a bit - anyway, I am pretty pleased with this but I am sure there is still a lot to learn. Feedback welcome. Thanks Jo.
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Dario Mekler
The proportion in general is pretty good. What you are missing are some dark values. Look how dark the brush and the place between the thumb and the index finger look in the photo. In you drawing there is a general grey with small variations while in the photo the range of variation is wider. The key word is contrast.
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Jo Sheridan
I do this soooo often... when using graphite... I did do some stuff with charcoal and that helped me go darker - but yes - I must get used to using my full range of pencils.... thanks Jo.
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Liandro
Hey @Jo Sheridan, beautiful drawing! Yeah, some people do like to challenge themselves! It's very common that we need to erase out a lot of the linework for a more realistic result, I see no problem with that. Personally, I like the high-key look of your drawing (mostly medium to light values), I think it feels light and kind of joyful, so I wouldn't say you should have necessarily used a wider range of pencils. I think the forms look nicely modeled the way the drawing is. A wider range of softer pencils might have allowed for deeper shadows and maybe a more "dramatic" effect in the result, which could have been nice too, but I think this would have been more of a personal or stylistic choice rather than a technical necessity. I see really good representation of the fingers in your final drawing, and I notice you made several adjustments regarding shape and proportion (middle finder, shape of the brush behind the thumb...) between the sketch and the final, which I think confirms my impression that you have top notch observational drawing skills. Perhaps the further hand lessons and practices in the anatomy course might help you more with the construction stage, which will then be very useful whenever you want to stray from the reference and draw from imagination. I'm pretty pleased with this too, congrats on overcoming this self-challenge!
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Jo Sheridan
Hi @Liandro - great feedback as always - thanks. This is the first time I have come across this term "High-Key" - I am not sure there was really any conscious decision on my part to do it like this, but I have been watching a lot of @Stephen Bauman lately and he uses hard pencils most of the time so I think this has probably influenced my choices here. I'm glad to hear that its not completely daft to be erasing my initial linework when getting to the rendering stage. I do struggle a bit with the block-in or framework starting point and how it informs the detail - particularly with portraits - I either get a great block-in and then my likeness deteriorates badly as the drawing progresses, or I can make no sense of my initial block-in until I have got some detail in and then the likeness just seems to emerge. I guess more practice will help with this... Thanks again. Jo.
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