Nervously asking for a critique of charcoal pencil portrait
14d
Adrian Skilling
This is my charcoal drawing of the character Mrs Hall from All Creatures Great and Small (2020) played by Anna Madeley. Its a British TV historical drama.
I've just got back into drawing after a multi-year break and am trying hard to get a likeness on a portrait, to improve my observation skills and more accurate use of values.
I think I got better likeness here than most of my efforts, but it has a long way to go. By overlaying I can see I straightened her face slightly and made some other errors like her mouth position. The hair is awful! I think the paper, A4 160gsm sketchbook paper might have too much distracting texture? I notice her eyes seem quite angled downwards towards her nose which seems quite distinctive?
I'd be very grateful for any criticism, thanks, Adrian
Nice job. All the elements are there. I find the liquify tool invaluable for learning and improving observational skills, understanding where I’m off, and how to correct things for future practice. Very small changes in facial position can have big impact on likeness.
Here’s a few minor changes I adjusted on your drawing. The lines are yours. Main things were shifting the right side of nose and corner of mouth over, raising top of the ear and pencilling to add the shape of the eyebrow.
Flipping the canvas also helps to see things that may be off that aren’t as easily visible in a single view.
Hope this helps! Keep going!
wow thanks for that advice and reworking snd kind comments. I can see more obvious errors now. It was hard to see the nose problems on the overlay I'd done. I'll check out the liquify tool too
So i think you're having a similar problem to what I had. For me, if I don't have larger 'building blocks' of the face, its hard to know the spacing between features and they can feel tilted or 'floating in space' similar to how the mouth and nose are too far to the left. For me the side plane of the face is very helpful for placing features at that angle. I'm not sure how helpful this is but i overlayed the shapes I like to use when blocking out the face. I start with a very easy, blocky shapes that can then be more refined into how you want it to look since for structure its super helpful to go big -> small. ( Yellow are some of the planes of the face, blue eye socket, purple eyelid, etc etc i thought it might be easier to see in multiple colors)
thanks so much. I just started reading Michael Hampton's figure drawing on the 3D structure and planes of the face. This is totally aligned with your great advice which I know will help. It definitely feels like my facial features aren't really tied to the 3D structure yet.
Hey Adrian. Don't be nervous! We're all students here at Proko, so welcome!
I just want to start by saying this is a heroic effort, my friend, not awful at all. Especially for someone who is coming at it as a fairly raw beginner. You're seriously on the right track, even if it doesn't feel like it, so be proud to be where you are (at the start) and be excited to know where you're going (so much learning and growth about to happen!).
Awesome that you're using an overlay to check your drawing. Such a fantastic tool. There's not much I can say about your accuracy that the overlay tool won't, so I'm not even going to go there except to say the ability to see these things without aid can take a while to develop. Be patient with yourself. You're already recognizing major shapes and putting down mostly proper values (even the inward angle of her eyes. Well spotted!), so you're not too far off. Just a few things here and there, but overall, you're getting it. You might benefit from learning some structure/block-in techniques to keep you from accidentally skewing the features as you did here, though. The Loomis method is pretty popular for this sort of thing. Plenty of vids around talking about that!
Paper texture is really a personal thing. Heavy tooth can make awesome effects that are not possible with other papers, but it can be hard to control, especially with soft charcoal pencils. I prefer to stay on the smoother side of things, as I don't have to work as hard for subtle blending/transitions, but you shouldn't be afraid to experiment to find what suits you.
If you have any questions, don't be afraid to reach out, either to me or to the community at large. Some great people roaming around on here. Good luck! Have fun!
thanks so much for your kind and helpful comments. I'm so impressed we've everyone's generosity here.
I'll certainly be learning more about facial structure, having arranged to have received Michael Hampton's figure drawing, which has a great section on structure of the head. No doubt less detailed than Loomis's whole book on the subject but the style and content is spot on and fun to learn and study. I'll probably get a Loomis book before long too.
I've drawn and painted on and off in different mediums for years but have never really been disciplined about studying, kind of true of many of my multiple hobbies but I'm excited to get more out by putting more in!
thanks
Adrian