Rodrigo Suárez
Rodrigo Suárez
Since i can remember i enjoy to drawing, playing with materials while dreaming of fantasy worlds. My biggest wish is to portray what i can see.
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@patriciagm
Hi! Thanks for the portfolio review. I'm Patricia from Cuba. I'm self taught, started my journey last year and I'd very much like to reach a professional level at some point. I've mostly painted portraits and character art.  I'd like to improve on a lot of things but mainly on storytelling, simplification and being able to get illustrations to a finished. I'd appreciate if you could point out strengths and weekness in my work. I don't know much about industry specific work, only that I'd like to work illustrating books some day.  
Rodrigo Suárez
Wow i really like your brush work, is really expressive and with lots of character. Do you have an instagram account? i would like to follow you. Saludos desde Ecuador jajaaj
Amit Amliwala
My name is Amit I am a self taught digital illustrator based in the UK. I want to work in the industry as a pin up/poster artist or cover artist. I would eventually like make my own graphic novel in the future.
Rodrigo Suárez
I knew i faound you here jajaja nice work mate!
Verónica Carrasco
Hi! My name is Veronica Carrasco (@VecapArtist). I currently work as a Graphic Designer, but drawing has always been my biggest interest. I am trying to take part in the video games industry, although drawing and producing my own contents is a tempting idea. Anyway, your advice is very precious for me and I will really appreciate anything from your admirable experience and talent. Thank you really much!
Rodrigo Suárez
Jajaja i'm a simple man, i just see Sypha Belnades and great art and i upvote jajaj. Great work!
Rodrigo Suárez
Gretings, i'm Rodrigo Suárez a freelance Graphic Designer and self tough artist based in Ecuador. My dream is work making ilstration and concept art. I've been comisioned mainly ilustrations and story board works more than design so i really want to persue a carrier in concept art and ilustration. But i do feel very lost in the art industry and i do strugle finding jobs. Maybe my technical skills are not up to the standards yet. Thank very much for this great service. My best wishes.
Amit Amliwala
Fancy seeing you here haha, awesome work mate, I especially love the crocodiles/alligator piece.
Magnus Marshall
well... you said “sketch”.... a plane powered by horses playing accordions
Rodrigo Suárez
jajaja Someone has been tripping with something really nice, jajaj may i have some of that to? you know, for creative purposess jajaja ;)
Rodrigo Suárez
Hello Everybody. This is my concept of a lemur centurion thingy enjoying a fig. Unfortunately i couldn't make it in time to make it look pretty. Is unfinished but i had a blast making it.
Rodrigo Suárez
Hey Karla, i wanted to ask you how often do you practice with life models or painting from life. I know that is very important to learn how to draw from life and not just using photographs at laest thats the traditional way of thinking. What are your thoughts on that or in how to use photoreferences correctly for a better practice. You are amazing, Greetings from Ecuador.
Rodrigo Suárez
09/08/2021 Hellow every one. i made this mannequinization exercises, i do still have problems with breasts or how to imagine the correct estructure to draw them. As well with foreshortening :( Any tips?
Bradwynn Jones
Great study and love the attention to perspective lines. For the breasts it's good to think about the underlying muscles. In some drawings there isn't enough space from the clavicle to breast to have the peck muscle under it correctly. Breast are too close to clavicle bones in some. Very common issue and to help with it try drawing lightly the peck muscles first then draw the breasts on top. This helps in drawing as well as in sculpting the figure. Very common mistake and I still find myself making it too. Hope that helps! Keep up the great work!
Rodrigo Suárez
Hi, Which other colors would you use with the zorn palette for a more vibrant palette?
Rodrigo Suárez
Hi Stan. How do you work around the texture of the of the paper? Or when do you use said texture in the composition of the drawing?
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