Pasi Leinonen
Pasi Leinonen
I draw
Activity Feed
Joey Edgar
Both are really cool designs. I'd like to see you push the weird factor even more, like into Dark Souls territory.
Pasi Leinonen
Thanks! Maybe I will :)
Pasi Leinonen
Plein air studies with casein and gouache. Please feedback/critique.
Zoungy Kligge
Hi Pasi, could you give some more specific thoughts on what you'd like critiqued, and in which pieces? Composition, color, light, for example?
Pasi Leinonen
phew again. Feedback welcome
Pasi Leinonen
Ghost as a post. Rhyme time. Sometimes my inner rapper takes over.
Christopher Beaven
Looking good, love the composition!
Pasi Leinonen
One Moon to rule them all. This Ringwraith is based on Tolkiens Lord of the rings. I think if you are not a LOTR fan, this could have a little explanation. In the books, there are nine of these wraith creatures, that are all bind to the Master ring, that rules them all. So I tried to bind the background in to the Tolkiens world :)
Pasi Leinonen
This is it, my all time favorite book cover illustrated. So many memories with the book and I always get my hands on this if I'm stuck with my art. Currently reading it to my youngest and getting inspired! :D
Pasi Leinonen
I did another one! This is fun!
Pasi Leinonen
Hi! I have often a problem adjusting the values of my illustrations. I tend to go with too dark or saturated tones. I feel that my eyes work differently on different days and almost like different time of the day :D Does this make any sense? Does anyone struggle with similar problem and is there a tips/solution to adjusting your values/tones?
Christopher Beaven
That is really interesting. Are you working too long? Maybe it's eye fatigue. Or if you work later in your day you could be tired and have eye fatigue. It could also be a change in the light within the room you're working in.
Charvi Vyas
Some common tips for mapping values: 1] squint eyes to see value relations 2] Leave highlights for the last, use it with control 3] Group values in three: highlight, midtone, dark I hope this helps. I also struggle with values. Best way to be sure about your values is to make little studies before jumping in to final illustration.
Oscar Q
2yr
Hi Pasi, that same thing happens to me often. What I usually do is to take a break and resume the painting on the next day or after a few hours. Other things that might help is to turn your image into greyscale tones to better assess your image, or even get an image you love and use it as a reference for your values
Marco Sordi
I love it! The content is very intense and I think that colors deliver the sense of the composition better in the left one.
indio
I personally like the red more, I think it rreally fits well with the tone that the piece sets. I think white feels a little bit empty? For me, atleast.
Pasi Leinonen
Thanks! Yes the red is more dynamic I guess, I think I go for the red one in the final painting
Pasi Leinonen
2yr
I did the color sketch with airbrush and then scanned the image for re-touch/experiment in PS. I think I do a larger painting in some point. What do you think about the background white or red? Red version is the original airbrushed and white is digital version.
Pasi Leinonen
Inspired by Tolkien - Bard the Bowman and Smaug
@thomas001
2yr
From My Point of View, as someone who is looking for inspiration, it's great to see your development sketches.
Marco Sordi
Beautiful!! The composition is very good. I really like the way you have blended all the elements except the archer's body and the dragon's head which are so sharp and vivid!
Help!
Browse the FAQs or our more detailed Documentation. If you still need help or to contact us for any reason, drop us a line and we’ll get back to you as soon as possible!