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Pär
•
16h
added comment inHow to Draw Objects Off the Picture Plane
I can't figure out the last example, crossing the picture plane, how it would work. Shouldn't it be at the crossing point instead or am I missing something? In 'behind the plane' we create a sort of ghost box from extruding out the box to touch the picture plane and that I can see how it works out.
But when the box is crossing the plane like in image below. If I would cut the box in two and having the cut (blue line) making a corner at the picture plane like that, then the smaller box not crossing the image plane would just be the first case from previous lesson.

Pär
16h
Also if I slide the viewpoint sideways even more to the left, looking straight at the closest corner being directly in front of view point like in image below. Then the vertical lines from that corner would align it seems. And the closest vertical edge in the image would just be the height from the plan like in the first image. Second image is instead dropping from crossing point (also getting different proportions), or am I doing something wrong?
Anthony DeGennaro
•
2mo
Asked for help
Here are some gestures I worked on, once I got into a groove it started to feel better. some got a little big for the page. The male one seemed to get a bit too thick in the hip area. hope to hear your feedback!
Pär
•
2mo
Asked for help
Working my way through. Think I need to focus on the have fun part, getting the essentials down more loose and quick and using more abstraction. Hard to break out from trying to recreating the pose and shapes with their outlines and such, as seen from that angle and whatnot.
Phew, last ones. Really want to move on to more fast and notational, finding the abstract core and play with it
wow, inspiring, with the energy, sense of movement and tensions and how they are grounded.
Darren
•
3mo
Asked for help
Nice!, cool drawings :) , and looks really solid, both orthos and with perspective (just wonder though if one wouldn't see just some of right side wings on big plane to the right).
Asked for help
Pär
•
4mo
Asked for help
This was tricky, starting out with the master studies part. Inspiration was high and the drawings felt they would be clear cut to work from, but hit a wall in each and every one. And especially study 3, 8 and 10 went bad, didn't get it with the torso and hip lines.
Really hope to get some of it cleared up in the review, seeing more examples and corrections. Struggling with torso if line is spine/contour/some overall gesture line. And also hips with so few lines gives trouble. Also think I confuse gesture with form and volume, latter perhaps not needed at this stage.
Also nice with more lectures beeing posted, and really happy the gesture book arrived in mail today. Head down, push forward🙂
Also adding from imagination. Not really quick scetches, time and time again getting stuck. Especially on the hip area. And on getting past a blank page and mind.😐
Pär
•
5mo
Really wan’t to break out of the ’draw as you see’ outline based way of drawing, otherwise having done a tone of life drawing. Also from time to time starting out with basic forms eggs/boxes/etc, but still feel to locked to more strictly copying the pose and appearance. But now while drawing along with the examples It feels exciting this way of thinking/working.
Then trying out on new poses I realize it will take _some_ more practice and understanding though 😬😅 Really tricky with the hips/buttocks and with the leg connections. And got completely stuck on the legs on leftmost figure, going over and over making it worse with every attempt. But guessing I'm too much tied to the outlines, trying to distill and find the rytms from that. Well just to try again I guess, also really looking forward to upcoming lessons!
And also need to rewatch this lesson. Realize I managed to drop almost every principle Michael brought up. And there also was this list for nr of lines for each part. 1 line for weight bearing side of the hip, 2-3 each leg and 16-17 for the whole body it's shown. Oh well...