Warren Bonett
Warren Bonett
Melbourne, Australia
Freelance graphic designer and illustrator wanting to go back to basics
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Jesper Axelsson
@Chris Bodary, @johnercek, @Samuel Eli, sorry for not getting back to you earlier (the drawing has kept me busy!). I really appreciated your comments! Here's some more work in progress: the figure brought into perspective and the 2 value notan. Do you think the notan reads? Cheers!
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Warren Bonett
Seriously ambitious pose. Great work! The things I notice in the line work that may need adjustment are: the connection of the bicep and extensor flexors of the forearm; the upper thigh into hip feels a touch narrow making the torso a little long; and the right leg’s feels like it needs to be read a little more from above. Is this from imagination? It’s terrific. The notan lighting source appears to be the viewer, I feel like it may read little more of the dynamism of the character if it swung a little further to the right or left, but that’s just being picky really. Impressive work.
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Warren Bonett
It looks good I have no advice I’m afraid a bit beyond my skills. It looks like a great start! Quite the challenge! Look forward to seeing the result.
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Warren Bonett
A couple more of these mannequins. I draw using sanguine before I watch the demo, then I watch the demo. Then I go back to the model and use my sanguine more as a gesture/bean under drawing and try to check my landmarks and negative shapes as I go. Amazing how many mistakes I find even when I finish this second pass, where I’m trying so hard to “see” the model and the shapes.
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Warren Bonett
Great exercise! I’m finding it pretty difficult I have to say. I’ve uploaded these in reverse order. My first two crouching man and twisting woman. Pretty stiff looking, but teaching me to look harder. I reckon I could spend a year just doing these figures. I won’t but they may be all I concentrate on for the rest of the year. We’ll see.
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Warren Bonett
Finding the shapes on the robo bean a bit difficult to get my head around. I draw what I’m seeing but often it’s quite different from Stan’s. Perhaps if I do another few hundred I might get more into the flow? 🙃 think I’ll do the foreshortening one then do a few dozen without him as a guide then come back to the videos. Wish me luck😀😀
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Warren Bonett
I’m trying to do both 🙂. And animals. I bounce between each, and try to find ways of incorporating all of them into single compositions. I’m sure there are many good reasons to concentrate on single subjects but I prefer to nudge everything forward a bit than charge with one. It also helps me do what I want which is to illustrate stories and create narrative artworks. Ive not done any courses in painting but I’ve found lots of helpful tips online as a starting place. I intend on doing a couple of Michael James Smith’s workshops before I decide which more complete course I’ll take. NMA’s one looks good.
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Vigo
Hi! I could really use some feedback! What do you think?
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Warren Bonett
Nice work.
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Warren Bonett
First attempts at landmark drawing without Proko to guide me. Sometimes mighty hard to see the scapula under the muscles. And working out the deltoid connections. And I seem to have a pathological habit of making the legs a little too short. I’ll do some female figures before I move on to robobean. And I can see I’ll need to do the anatomy course! I’ve used photos from the academic male collection available on this site.
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Warren Bonett
Been using what I’ve learned in portrait fundamentals to try to improve my animal drawings and paintings. I think I’m starting to understand the shapes better.... maybe. Long way to go still. Anyway thought it a good upload for Proktober.
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Warren Bonett
Drew a bunch of portraits using what I’ve learned in the course. The youngest one was hardest by far, so much so that I needed to grid. So much to learn. Certainly better than I had done before it though. Am doing the figure drawing course now but will return to this one afterwards as repetition is crucial.
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