Henner Hinze
Henner Hinze
Netherlands
Henner Hinze
Great exercise. It felt like I’ve progress already through this series of drawing. I’m still not quite happy with my line quality.
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Henner Hinze
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Henner Hinze
That was quite enjoyable. I feel like my lines got more confident and fluid as I went along.
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Evan Wray
Started on the muskateer guy, but I didn't really like the image so I decided to swap to one I found. AFter I finished I matched it up on procreate and I could see that my bigger shapes were a lot more accurate than my placement of the features. The overall head/hair shape is good, the neck is correct proportionally, just slightly too far to the left, but the eyes, nose, and mouth are all wildly misplaced. Definitely the best face I've drawn so far though, so I'll take it as a good exercise and a step forward.
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Henner Hinze
Looks very clean. The head in the photograph has a very slight tilt to the left, while in your drawing the head feels almost tilted in the other direction. Maybe the nose needs to be a bit wider. The nostrils in the photo align with the corners of the eyes. Overall, it‘s definitely a good attempt.
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Henner Hinze
I found it quite hard to find reliable measurements. Looking at the overlay, my drawing is not that far off, except maybe for the collar. For some reason, I feel there’s still no likeness in the drawing. Not sure if that’s due to the linear drawing and missing shading or if the small deviations are enough to throw it off.
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Henner Hinze
Two more attempts. The colored picture turned out pretty well. I guess a frontal view is much easier. In the b&w one I had some issues with the width of the face. It turned much narrower than it should have and hence many other proportions are horizontally squashed as well.
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Luke Ng
Level 2 Assignment with an Orangutan, all critiques are welcome
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Henner Hinze
I love these. Gives me a kind of Nickelodeon vibe.
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Henner Hinze
I’ve taken the buffalo and tried to rearrange the shapes to get some different variants.
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Henner Hinze
I treated the 10 shape limit as a loose guideline :)
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Henner Hinze
I’ve looked at two artists now to get some variety. The first one in Daniel Clowes, a comic book author. The image is inked so there is not much difference in value. He does apply stronger line weight in the foreground which is also the focal point of the panel I studied. He also uses strong lines to emphasize the contour of his characters as well as to indicate shadows, which is well visible underneath the jaw. The lines he uses for shading follow the form but are so short and even that the overall impression is still somewhat flat and static - his inks almost look like a linoprint. I’ve also noticed that to avoid to many shapes to merge he often does not lines meet but leaves white outlines around certain areas. I’ve tried to replicate his line work in graphite. The second artist is Dave Malan. I like his open line work and how he implies just that little bit of stylization to his portraits. He uses strong lines mostly for emphasis, in the jam line, the eyes and the side burns. His lines tend to be loose but come contained in small shapes or bundles. My proportions are not quite there.
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Henner Hinze
I don’t think I’ve thought about line weight that much before. So far I’ve used it rather intuitively (aka randomly). This was certainly an interesting exercise. For the left image I’ve tried to make lines lying in the shade heavier. Sometimes the decision was a bit difficult when the line is marking a lit edge leading into a shaded area. For the second one I’ve used heavy lines for the outline to emphasize the mass of the rhino. I’ve used especially heavy lines for the head and the horns as these seem to be the defining features.
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Henner Hinze
Here’s my attempt at using line weight to indicate depth.
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Henner Hinze
That was a lot of fun. Gotta love raccoons. I draw a blank when it came to a good concept for the final sketch (first image on the left). I think it could have a much stronger personality.
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Henner Hinze
I went back and tried to make more of a character of this little guy. Raccoons always seem kind of mischievous to me. So I turned him into some small time wannabe gangster from some noir detective story.
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Henner Hinze
That was fun. The proportions of the hand don’t seem quite right and I think the penguin could take a second pass to flesh out the overall shape a bit better, maybe having is chest bulge out more. I like the dynamic of the sketch of the girl.
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Henner Hinze
After the snail and the boots I’ve tried my hand on the camel and skull as well. Watching the critique first helped to refocus what the exercise is about. This time I’ve spent more time on some pre-sketching to get a feel for the proportions - the perspective of the camel took me a good while to wrap my head around - and then go in with more confident lines to the curves.
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Henner Hinze
Not sure I’ve managed to simplify enough. The boots certainly still have a lot going on.
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Henner Hinze
This exercise turned out to be a lot more difficult than I’d expected. The proportions of the face got a bit away from me.
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