Heya! After watching both of the demos I have gathered some thoughts on line master studies that I'd want to share! As a beginner it might be complicated to see various things at once when doing a master study, even when trying to focus on lines! Why? Because lines show contours, edges, textures, highlight points of interest, delineate shapes in space! So if you don't think of WHY a line was used in a certain way at a certain point, you might also not learn anything about how the master uses them! There were examples in critiques where lines were used to draw the shape of the hair and put a highlight to show it's bulk (Gibson example), so if the person drawing it doesn't put consideration into it, it wouldn't be a complete master study! Or not understanding how master's lines either conform to edge or rhythm of the picture, making them work as a whole, or even any of the compositional purpose of line weight! But the course haven't touched on any of the topics of rhythm or edge yet, so it would be wise to focus on technique more and then come back to line master studies later! And just like Stan showed, you can create your own warmups that you should probably do to absorb how exactly the master places the strokes, or at least do it in your own way that achieves the same effect! You can do simple exercises like hatching a plane like the master, then tilting that plane and hatching, or hatching a whole cube in space with the technique until you're familiar with it, try to pull a single stroke into abstract shapes if the master does that e.t.c. Try to do it in different ways, find the most effective one for you! Then after you do this a bunch either come back to studying the master you learned that from now with the proper muscle memory OR apply it in your own projects! Do what's most fun for you! The warmups you create are very important because you are going to focus exclusively on technique before you focus on applying it with complex elements of shape design and forms in space! Hope any of you found this helpful. Remember, applying learned principals in your own work is a skill of it's own so don't forget to practice it! Ok, bye!

After 10-20 gesture practices almost everyday for about 1 month, I still draw very slow, and sometimes ugly. Better come here to learn from everyone. These are 30 seconds-3 minutes sketches below.

Just wanted to draw a sphere taking into account all 12 modeling factors.

Pretty interesting to see how certain objects interact differently with light.

Here are the eggs!

How do one get feedback in the course?

I don't think I quite got the idea of the assignment. I need to let go and get loose with my imagination.

It is hard to find time to draw, that is why I love this assignments. It forces you to make the time. I am curious to find out what is in the second assignment!

Day 13 of 14-day challenge.

Day 12 of the Challenge. I am trying to simplifying the drawings to CSI

Day 11.....wow! time flies.....

Day 10 of 14-day challenge. My first try at this was so awful I had to try it with perspective lines to figure out were I went wrong.

Day 9 of the Challenge

Day 9

Day 3

Day 8 of 14-day challenge and I think I finally overcame the urge for shading! Now I hope to work on the scratchy lines in the remaining days. Wish me luck!

Day 8: Drew the moose, went alright. Couldn’t get the cylinder right. Thought ‘if I can’t even draw a simple cylinder….’ and got some more cylinders to practice on/punish myself with.

Day 7 of 14-day-challenge. It has been difficult to make the time but definitely worth it. I haven't draw this much since high school! Thank you!