Hello, Ben! Good job on reworking your design. I find it a bit difficult finding things to improve on without overstepping on your initial layout. On what is provided I would say the tail is a bit too thick and there still could be less significance on the eyes as that is what I see in references. For a more informed feedback it would help me to know more about the character and the intended audience. Because form follows function. I would also try some other variations with different styles to give the client some options. This is a good start for one option and is handled in a realistic manner. I can see the underlying three dimensional forms how it could progress into a 3D animation platform. Once a final design is confirmed we could really get picky and pick out specific areas to get technical about and nit pick over. Also, maybe don't generalize the audience as just your girlfriend. An audience of one is a bit more fine art and character design is more inline with mass audience and appeal. Use her gender and age to help define the audience.

Theses are great and I can see improvement when reviewing the past few posts! Some of the messier ones are my favorites. Keep it up!

Thanks for sharing your drawings! I think drawing #2 ( Frazetta) and drawing #3 (Wrightson) are finding a great rhythm and saying a lot without saying too much. Drawing #4 ( 2nd Frazetta) - Love the dimensionality and force coming from the legs. The redraws from different angles are super fun. I would love to see more of the elements from the over drawings come across in the new drawings.

Great job! Thanks for sharing. The best thing to say is keep at it and stretch your daily drawing mileage. It is hard to say what to work on when I do not feel adequate in my own drawings. Though saying nothing is not very helpful and when I try to form words to someone else I know now that I have to hold myself accountable and do the same. Good job in keeping loose. Some of the poses seem to be similar so I would recommend in being bold and stepping even further out of the comfort zone. This may be drawing the movement before or the movement after. I wouldn't worry too much about proportions as it is hard to juggle everything right now. Though in the areas that make you feel uncomfortable is something that you can study further and go back to the skeleton and muscles. The still gorilla video is difficult to draw from as it is almost a photograph and the urgency of drawing from life is lost. Though is a great exercise in finding the subtle details.

Great attempt in keeping loose and gestural! The boots have a great rhythm in them with the C and S lines. Ok, I see what you did there - straight for the structure of the shell. Once I watched the video a few times and got to actually drawing I got sucked into what I was doing. Its nice to see other examples of what was being discussed

Great job, Pedro! This drawing has appeal can keeps the character of the boots. Good job in choosing to simply have the laces wrap over the boot and not trying to keep all of the twists. I feel some of the leather behind the laces seem a bit disjointed in the middle but is hidden due to the complexity of the area. I feel the end of the laces feel a bit un-natural and stiff. The top lace especially might of benefited from having a good bit more curve applied. Thanks for sharing and I look forward to seeing more!